Argo

Ben Affleck really is the man. I must admit that I never believed that he could be the leading representative of decent and intelligent Hollywood of this day and age, but every new movie he makes is such a smash hit that my brain is having a hard time coping with such amounts of quality. Argo may not be a five-star smash hit and that’s only because it drags on a bit at the beginning and it takes a while for the movie to finally get to the action. But once the action starts, which is actually the entire second part of the movie, your heart will stop beating with all the suspense the same way it did for me. The story itself is absolutely amazing and interesting and I wouldn’t be surprised at all if Argo wins the Oscar for Best Picture. It has all the traditional Oscar-winning qualities, so we will see. For me, this was a job really well done about a certain chapter of CIA and Hollywood history, which couldn’t have been filmed any better. Yeah and Ben Affleck was absolutely perfect in his role. (24/02/2013)

Ben Affleck confirms his quality as a director. This time, and based on the responses from abroad, he hit the bullseye of the taste of the American public and critics, and it’s no wonder. Argo is a decent period piece, a thriller, a drama, has a pinch of filmmaking comedy, it’s based on real events and you end up rooting for the clever and nice Americans. And from a genre perspective, it can be viewed without any politics. Personally, however, it didn’t captivate me, maybe because the climax relies too much on coincidences, and though the tension escalates nicely, the overall pleasant realistic feeling is lost. But overall, it’s your typical well made four star film, and a nice scapegoat for anti-American posers. (30/11/2012)

I am very glad that Ben Affleck realized quite early on that he is not such a good actor, but that he might have talent for other professions in the film business. In 1998, he discovered that he has a talent for screenwriting because he won an Oscar for the screenplay of the film "Good Will Hunting" together with Matt Damon. What surprised the whole world even more was the fact that Ben is a great director. He proved it with his first film "Gone Baby Gone", and even more so with the film "The Town", but perhaps the most surprising thing was when he finally ventured outside of the city and surprised both critics and audiences with the film "Argo". More: http://www.filmovy-denik.cz/2013/02/argo-2012-85.html (09/04/2013)

Affleck didn't disappoint again. This time his work may not have that much panache and the viewer has to endure the first half of the film without any emotional basis for the events rather than experience them, but the final, one could say riveting, passage convinced me to give it a high rating and especially about Affleck's qualities as a director. A well-drawn tense situation, a beautiful period atmosphere, a surprisingly decent performance by Affleck and pleasant allusions to the deceitfulness and depravity of the movie industry, all this against a backdrop of a great escape that, in the end, had me completely engrossed and keeping my fingers crossed for the heroes as much as I have done for any film in a long time. Plus the necessary dose of clichés and the mandatory diversion towards the audience, which increased the dynamism and impact of the climax. My Oscar favourites this year may have been made of completely different dough, but Affleck rocked the academics in such style that he couldn't possibly lose. Patriotism is highly addictive, especially when it’s portrayed with such quality. "Argo, fuck yourself!" (10/03/2013)

As excellent as he is a director, he is simply a little bland as an actor. He proves the first not just in the opening, most powerful scene of the year, but throughout the movie. He manages to demonstrate immense bravado as a director, building up stifling tension in a story where you know what happens, while poetically interleafing political thriller with satire on a burned-out "_llywo_d". He also proves his acting (non)skills throughout, tripping himself up by otherwise casting acting aces in the other roles, or at least actors who constantly out-act him. This said, most detrimental turned out to be the airport finale where he comes across like an unintentional parody of himself. Certainly cinematic exaggeration of reality is one thing, but dishing out so many clichés in ten minutes is just too much. It is all the more surprising because up until that point he has been avoiding them and going his own way. So, in the end no new Munich or Baader Meinhof Complex occurs, it’s just too naive and shallow for that, but ranking it amongst them is sufficient recognition of Argo’s qualities. (29/11/2012)