Bohemian Rhapsody

A celebration of music. Framing the entire story with a concert works incredibly well. The packed Wembley Stadium hungry for every note and Mercury’s every movement enraptures the viewer and takes them not just to the center of the action, but even above it, with the camera flying over the audience and weaving between the band’s legs and even between the fingers on the piano keyboard. Singer is brilliant in terms of form, serving up details on a silver platter, and that’s just the framework I’m talking about. The approach to the band's origins, recording the greatest hits, the dynamics of their relationships and to AIDS also functions well. The movie doesn’t go into detail and it’s a little fragmentary, which is a bit of a shame, but at least it doesn’t hinder this ode to the best band in the world. If you want details, watch a documentary… Malek is fantastic, but so is the rest of the acting ensemble. Ehm…great soundtrack. (07/11/2018)

The story of one of the greatest bands of all time, Queen, and its charismatic lead singer Freddie Mercury, is conceived as a grand celebration of their music, energy and camaraderie rather than a classic biopic. Instead of private information, dying of AIDS or escalating conflicts between the protagonists, there are concerts, singing and the film tries to entertain above all. Fans will probably appreciate this, but if you go to the cinema expecting to learn more or get any significant insight into Mercury's private life, you'll probably leave disappointed. (01/11/2018)

Singer mechanically cycles through human dramas, studies, and live performances that in parts are brimming with energy, oozing from all sides - from the excellent actors, through the camera and editing, to the last precisely-aimed spotlight. Otherwise, the 130 minutes slip by like a missed chance to go beyond the edge of a slick biopic that suits the screen. But the fact that the audience, regardless of age and musical taste, sits down to watch it in droves means above all that the effort to please absolutely everyone has succeeded perfectly. However, if it wasn’t for the brilliant music (and I say this as someone who is not that fond of it), it's a seasonal dud. Fortunately, it's about the music, and I won't hide the fact that it moved me. (09/12/2018)

The celebration of a legend, sunny, full of breathtaking energy and musical highlights. Some of the passages are unnecessarily cinematic, not improvisational enough and quite for effect. Here is where the spontaneous A Star is Born wins. This is reminiscent of 2013, when the two best films of the year, Gravity and Rush, stood side by side and each had a slightly different fan base. Both were great films, but while Rush was a true-to-life story, graspable by any spectrum of audiences, Gravity wanted a more ambitious recipient who was willing to "put in the work" to be rewarded. The same thing happens here, and in films that are very similar in genre. Bohemian Rhapsody is the more challenging sibling, A Star is Born is a gentle American love story, but it manages to work better with emotions. And unlike Rhapsody, you'll take away a bit more from the cinema than just a polished musical component and an interesting depiction of a typically internally torn weirdo artist. (18/11/2018)

Yeah, it was alright. While Bohemian Rhapsody is at first glance the prototypical film that misses me by a thousand miles (a musical, a biopic gay drama) is a bit of the opposite of my favorite (horror, action, thriller), but oddly enough I saw the film and I’m alive and well. Rami Malek overacts a bit too much for my taste, but he and Freddie are very similar in appearance and he doesn't do a shameful job for a second-rate actor. Story-wise, there's not much of interest and the only strong moment comes in the final performance at Wembley, which is definitely good. I certainly won't see it again, but I was expecting suffering and in the end I got a fairly watchable film. 60%. (18/03/2019)