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Ray Breslin (Sylvester Stallone), one of the world's foremost authorities on structural security agrees to take on one last job: breaking out of an ultra-secret, high tech facility called 'The Tomb'. However, as soon as Ray arrives he realises he has been deceived and wrongly imprisoned. Desperate to find a way out, Ray must recruit fellow inmate Emil Rottmayer (Arnold Schwarzenegger) to help devise a daring, nearly impossible plan to escape from the most protected and fortified prison ever built. (Entertainment One)

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Reviews (11)

kaylin 

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English Damn, I know that this film has its flaws, like characters that are essentially unnecessary and a plot that doesn't significantly impact anything. Or how it plays on the cliché that action heroes played by action stars simply don't die. But still, this is a fantastic idea that was well executed. There isn't as much humor as you would expect, but the ending is quite light-hearted. Additionally, you don't often see or hear Arnold speaking in his native German. Entertaining, although quite lengthy, great main roles. It's evident that Sly and Arnold really enjoy playing together, and they are doing it immensely well. I look forward to their future collaboration. ()

Marigold 

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English "You don't look that smart..." Indeed. It is a pity that the script realizes this only after it realizes that two wooden clubs will not produce an intellectual spark. A few of the situations are amusing, Arnie's religious Germanic frenzy is magical, but otherwise it’s a handful of poorly written and dully filmed situations that try to look smart here, dramatic there, but they rather flow by harmlessly (and arouse legitimate smiles). I have a feeling that a similar happening will work at high speed only on a wave of irony and playfulness. And the creators forgot to lock them up in the same prison. I don't know if I dreamed of meeting Sly and Arnie, but since I'm a fan of both, I would justifiably expect some greater emotion than the embarrassed smile on my face when Sly punched Arnie. It's gone. Oh well. [55%] ()

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Malarkey 

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English Futuretro and Sly who makes a lightbulb out of a bungee cord and even uses it to escape prison. Those were the first two feelings I had when I watched this movie. Truth be told, it wasn’t what I’d imagined. Especially the realism was completely off and I’d compare it to Demolition Man, only with one big difference; the lack of one-liners. Sly and Arnold are just acting tough rather than creating some sort of a laid-back atmosphere and emotions. And that’s basically the whole movie. The topic is really interesting when it comes to two action legends, but the director’s take was far too systematic. I didn’t really feel any heart in that. It doesn’t have one-liners, nothing that could elevate such a great idea to a level that could be called legendary. A shame. ()

lamps 

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English B-movie; straightforward and entertaining, originally conceived and refreshed by two veteran icons who in their old age have become even more deeply aware of their role in a colossal movie marathon. But a B-movie nonetheless, predictable, with a stale, truncated and unsurprising plot (starting with the escape plan and ending with Arnie's final "asshole"), and it's more appropriate in this case than elsewhere to play the critic and point out that playing for fun is different from actually being fun. The biggest impression is left by the unpleasantly slimy James Caviezel, who perhaps has never been so good. 65% ()

Kaka 

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English I wouldn't overstate it with the return. Stallone is far from the intensity of the new Rambo. This is neither a comedy, nor action-packed enough, nor a clever heist film. There are too many coincidences and it is too straightforward with various plot inserts that are too obvious and for effect. There is little action and you have to wait for it for a long time. There are a few solid scenes, but they don't raise the adrenaline as much as you would expect from an old action school flick, and that has nothing to do with the age of the protagonists, they are completely fine. Only the screenplay should have been much better – even in honor of the 80s B-movies. Jim Caviezel is brilliant. ()

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