Edge of Tomorrow

An amazing film separated from the fifth star only by the more intense finale. Otherwise, its an inventive mashup of Source Code, Battle Los Angeles, Groundhog Day and Saving Private Ryan, with an ever better Cruise and full metal bitch Emily Blunt. The Edge of Tomorrow is a great evolutionary link in the fusion of games and film. The model of the shooter checkpoint and RPG development of combat and social skills of the character are imaginatively exploited at the moment when there is an acute threat that the film’s wheels will fall off. They don’t. Simply the best Liman since the first Bourne (which doesn't necessarily mean praise) and quite possibly the sci-fi blockbuster of the season. Reset! [80%] (28/05/2014)

I’m fascinated that the American viewer (the sponsor of the American filmmaking industry) prefers a commercial mishmash called Transformers to an imaginative sci-fi called Edge of Tomorrow, where the name essentially does not reveal anything and the movie can only surprise. The Japanese are known for always having great storylines in their stories and comic books, and I’m glad that finally one of those got this kind of interpretation with Tom Cruise in the leading role. For me, he will probably always be the actor who has signed up for sci-fi movies. Considering he’s a Scientologist, I’m not even surprised that he makes such films. I’m actually very happy that he’s the one to do it, because it fits him the most. As a result, after watching the film, I thought hard about whether to give it five stars. I had a slight issue with the camera, which blurred my vision in a similar way a decent 5 km run can. But that is Doug Liman for you. However, if not for his directing, I might not have seen such an amazing change in Tom’s role. So I can only add that this film has its pros and cons, but even so, it is probably my favorite one from this year’s movies. (20/06/2014)

The best thing would be not to praise this film and not to raise great expectations... The key asset of Edge of Tomorrow, after all, is not its grandiosity or action, as we would expect. Rather, Edge of Tomorrow is great thanks to its script, which is the most imaginative among blockbusters in a very, very long time. And thanks to its director (I bow down before him). In terms of entertainment value, dynamics and working with the viewer, the film practically has no faults and succeeds on every levels. From the balance of seriousness and humor in the perception of the (visually appealing) postapocalyptic world, through the retention of the audience’s attention by mean of an unpredictable plot that will glue you to your seat with its speed, all the way to the likable characters to whom you can relate, which you don’t see that much in blockbusters. Tom Cruise is just great, the character played by Emily Blunt is impossible not to fall in love with and the chemistry between them works without a hint of a romantic kitsch. Edge of Tomorrow is for playful post-apocalyptic sci-fi action movies what Children of Men is for thoughtful post-apocalyptic sci-fi dramas. (28/05/2014)

Very well executed concept known from Groundhog Day, Source Code and probably every sci-fi series ever made. At the beginning, the hero is introduced without any heroic attributes and the pandemonium of war that follows during the landing in Normandy sets the bar very high. And it holds there damn long. Edge of Tomorrow only stumbles a little by the end, where the thus far relatively reaistic battles (to the extent than a battle between people in exoskeletons and giant tentacled aliens can be described as “realistic”) abandon the realism and now they are falling from huge heights without any injuries and the entire final fight goes too smoothly, especially considering how important it is and how it goes straight down to business. That said, it’s an excellent action sci-fi blockbuster of the kind that has been missing in cinemas for a long time. The action is spectacular, Cruise and Blunt have good chemistry and the script also has a couple of nice moments. (30/05/2014)

So what did I like? That there was a sense of Japanese sparseness in the narration and portrayal of the characters. The action/drama was subtly diluted with humor, or a little romance, but nothing that made you roll your eyes. I didn't see a single American flag, didn't hear the American national anthem, and there wasn't even anyone giving stupid patriotic obnoxiously cliched speeches about how important it was to man up and go out and fight and that we're going to show these aliens what for and blah blah blah. It just wasn't there, and I cheered. Plus the characters were portrayed as people, with their own problems, their own histories, so they weren't just flat characters with a gun in their hands and some catchphrase. But what I liked best was the interplay between Cruise and Blunt, just a joy to watch. Granted, it did lose momentum towards the end and it felt like the film was squeezing out the last drops (but maybe I was squeezing out the last drops because the theater was sweltering), but it ended well and I left very satisfied in the end. This is exactly the blockbuster I wanted – an unpretentious film, and yet it has an engaging story, a quality cast, a decent OST, and action that wasn't shot with a shaky camera, so the viewer could see something and enjoy it too. Nice, and I have no choice but to say – keep it up. (05/06/2014)