Europa Report

This film has a few simple trump cards that give it a significant edge over its modern genre competition. Firstly, the cast, composed of either lesser known but good actors, or characterful Nordic stalwarts (Michael Nyqvist), who, given the ambitions of the project, could not have been better. Then there’s the excellent soundtrack, which even an A-list sci-fi blockbuster by Christopher Nolan would love to have, and finally the story itself, not its intellectual sphere, which despite the great themes of fantastic scientific discoveries has little to offer and leads to a somewhat B-movie conclusion, but rather the overall composition, the imaginative time shifts that don't feel at all distracting, and the very well handled semi-documentary style that makes even the final explanation of everything feel very naturalistic and satisfying. A little sci-fi flick a huge heart, Kubrick wouldn't be offended as a viewer :) 75% (12/08/2015)

This needed more. Either in terms of the budget and visuals, or a more inventive script and better character work, because after approximately 15 minutes, I came to the conclusion that I was watching a 2-star film, and until the final minutes, I didn't have to change anything about that realization. The film should either be a spectacle or have the ability to evoke strong emotions, none of which happened. Sebastián Cordero showed that sci-fi doesn't necessarily have to be made with huge investments, but that's about it. Overall impression: 40%. (21/12/2016)

A solid genre film that uses the B-movie found footage space horror schtick, but in addition to clichés, it also uses more serious themes and a more ambitious narrative structure. The film does it relatively cleverly and skillfully, although it cannot disguise the cheap props and scenery. The sentinel really didn't have to be there. Given that the creators have combined several of my big phobias, I rate this film quite positively. Catchy. (24/07/2013)

Awesome thoroughbred sci-fi movie, the second this year that made me feel I was watching the adaptation of some classic novel (the first one was Oblivion). In addition to the very attractive premise and the good performances, it is very smartly put together with a mature use of the found-footage format – the interviews with characters and the jumps between different timelines generate false impressions, expectations and surprises. And none of the characters is an idiot, which also counts. For the fans of proper sci-fi who don’t need shiny visuals, space battles, explosions and loads of expensive effects, this is a must. (08/07/2013)

A pedantically down-to-earth Prometheus with convincing behavior from all in this minimalist and incredibly orthodox sci-fi offering for genre connoisseurs. And one of the rare exceptions where the concept of found footage isn’t just a cheap trick hiding a low budget, but an integral component and one of the main building blocks of its effectiveness, which it also owes to the simple fact that it succeeds in creating the convincing illusion (I repeat, illusion, not real-life action) that “one day, when it happens, these people will behave exactly like this". (01/07/2013)