The Hunt

Pure genre matters with all of the pros (great work with actors, excellent atmosphere, accessibility in the best sense of the word) and cons (easy manipulativeness and calculation, quite gradual exposition). Vinterberg also refined the director's approach from Submarino and is definitely one of the best creators of mainstream drama who is able to sell simplicity without offensive banality. Watching a second time only confirmed for me the good work that the Danish filmmaker did - the scheme that many point out here, as well as the considerable archetypality of the protagonist's life situation (alienated from the polis for a sin he did not commit) is functionally reflected in the structure of the film and repeated motifs of "collective ritual" (cyclical framework of the year / initiation celebration in the form of a hunt / Christmas Eve in a small village). The Hunt thus refers more to something that is universal in human society and persists in spite of a specific era (I see no attempt to create artificial problems, the "north" has had a lot of chimeras in relation to children for a long time, which only strengthens the seemingly compact morality of the community). It is hard not to see a link to key dogmatic topics here - only the vision has completely changed. Vinterberg does not go as far as Trier in deliberately stripping the schemes - his last two films are mainly about the search for a decent testimony and finding surprisingly strong characters. Lucas is an enchanting character with an inner evolution, from hunted game to a moral memento that proudly looks into the eyes. And, with her intensity and detail, Annika Wedderkopp's acting performance is a small miracle. The Hunt is simply a Danish drama in a nutshell - admittedly schematic, yet taciturn at key moments, reflecting "an overly close and proper community" and its hidden demons. Paradoxically, it’s not an issue that you are one move ahead of the director - it's about the power of realization, not a moment of surprise (in this context, this year I am thinking of Petzold's great Barbara, who is built on the same principle). And that power is still amazing in my eyes. (07/07/2012)

People are like sheep! All you have to do is throw a victim at them and they persecute and abuse it without any substantiated and credible evidence, and you have to look for any hint of humanity. The Hunt is a chilling drama set in a small town where everyone knows each other, and nothing is solved as quickly as the dirt on other people. But the hunt is for a victim who doesn't want to give up easily and be falsely smeared, so she resists with all their might. In short, a very well made and dense thriller that lacks a more shocking touch and conclusion to get a full score, when compared to, for example, the similar 2009 film Deliver Us from Evil. (24/12/2014)

A film that is hard to describe has to be seen. Only The Shining, my favourite film ever, has made me feel this “cold” when the end credits started rolling. A harrowing experience that may tamper with the laws of real probability to its emotional advantage at times, but the way it repeatedly pours boiling water on the viewer, and leaves them standing outside in the freezing cold is truly unprecedented. I don't know any other film that can so amazingly adapt the audience's emotions to the main character's depressive feelings and that makes the audience actively react to every twist and turn, laughing, cursing, crying... I feel a little bitter towards Thomas Vinterberg and all the other actors for having sweated through and through my least cheap t-shirt and sweatshirt, but otherwise I send them my admiration and endless praise. This review is intentionally shallow because to tinker more thoroughly with something so perfect and effective seems undignified to me. (13/04/2013)

Not very rational and lacking logic and common sense, though the Nordic small town full of ordinary workers who don't think much about anything seems to be very authentic. But I would definitely not put captivating performances and a fantastic atmosphere+screenplay over the sensible use of facts and brainpower. The accusation as well as the explanation are clichés of a heavy caliber.. Nevertheless, Vinterberg is still a great director because he can turn crap into something captivating with a number of scenes, where either you get goosebumps or at least put your hand in front of your mouth and be amazed. (23/02/2015)

No matter what anybody might say, Mads Mikkelsen is the most interesting and the best contemporary European actor. Each of his characters on the screen is alive. Not only alive, they’re downright breathing through the screen. In my opinion, The Hunt is the best notch on his belt that must win everyone over. I get that he took advantage of the current situation of the Danish cinema which is full of the best screenwriters and directors, but he was simply destined to be born into this very era and he made the best possible use of it due to his personality. The Hunt is a difficult movie to watch. It’s actually about a topic that is hard to talk about and just as hard to film. It’s a taboo that stirred the pot in this movie. The amazing thing is that the screenwriter apparently analyzed the human nature all his life and showed exactly what we, as human beings, are capable of doing and what we are not capable of doing. After an absurd discovery, Mads transforms with each single second of this movie and the viewer drowns in a depression that will leave you restless. That’s exactly what movies are about. About emotions and feelings that each of us should think about regularly. The Hunt managed to do that, and I must say that it is one of the few movies that aren’t afraid to reveal the truth hidden somewhere in the corner of each of us. (01/11/2013)