Jurassic World

A perfect contemporary studio film, pitch-perfectly refined to fit almost everyone's taste. The stars have "just the right" luminosity, Spielberg behind their backs, special effects artists at work, and a scripted cocktail of everything a family wants to experience on a trip to the movies. The studios will fight over Trevorrow now because we rarely see such pure craft. The unfortunate thing is that it doesn't give anything for free. Therefore, especially in terms of tension, it's pretty instant, without anything really substantial, like "climbing over a high-tension fence" or "raptors in the kitchen," which still affects me after more than twenty years and can refer to someone who has something in their head besides craft. [Btw: Chris Pratt is likable, no question about it, but his position is more so iconic, pushed by an army of e-fans. When he really carries an entire film, let him have the whip and the hat.] (13/07/2015)

A blockbuster that has it all! Its nostalgic connection with the first instalment, elaboration of dozens of motifs and ideas, fast-paced narrative and action make the second and third parts of the series look like unnecessary spin-offs (and I’m saying this as someone who likes the second one very much and doesn’t mind number three). In Jurassic World, everyone will find their own well-defined character – from the adventure through the eyes of two boy heroes, through the sparks between the attracting opposites in the form of a likeable adventurer and a detached sexy manager, to a young bespectacled geek in an e-bay “Jurassic Park” T-shirt and the park’s Indian financial director, an inside-joke allegory about Indian investors pouring loads of money into Hollywood. ___ Jurassic World contains all the formulas of blockbusters, but does not use them passively and lazily, instead playing with them in an imaginative and clever manner. Like no other blockbuster, Jurassic World draws us into the phenomenal culture of American entertainment attractions and parks – including the scene involving hiding in the T-shirt stand that you must (but also want to) walk through after each attraction at Universal Studios. ___ Jurassic World has a seamlessly, beautifully edited long intro that, together with the tones of John Williams’ motif and a brief depiction of the family relationships of some of the main characters, serves as the perfect introduction to the park on Isla Nublar, while both reviving nostalgia from 1993 and pushing it to a more technologically advanced level (the transformation of a small-scale hidden attraction into megalomaniac machinery serving 20,000 visitors a day). Jurassic World achieved wonderful escalation while discovering the genes from which the main monster is developed. Thanks to its intelligence, we’re in for some unexpected twists, boosting the adventure experience. A shift in the story that we have long been expecting and looking forward to (a raptor attack) becomes just a stepping stone to a dramaturgical advance to a higher level. ___ Jurassic World has a grandiose climax that, thanks to its editing and placement of live characters among digital monsters, overshadows any climax of the monster and Transformers movies of the entire decade. And in the last, perfectly timed moment it pulls the biggest ace out of its sleeve in such a way that I wanted to holler and clap my hands like a little kid. Do not evaluate Jurassic World by comparing it to the first instalment, whose uniqueness was guaranteed by the first ever large-screen performance of living CGI beings. Evaluate it as a contemporary blockbuster that has to compete with Nolan and Bay while preserving its historical roots. IMAX, 3D! (11/06/2015)

A dinosaur movie that you don't have to think about; if you happen to do so, you'll find it has a lot of plotholes. If you dwell on them, it becomes a pretty annoying movie; but if you get over yourself and think of it as just a children's story, you'll eventually find that it's not so bad after all. It's simply an homage to the original film by a fan who has added such typical fare to his homage as "I hate you, but I'll look at your tonsils for you", "I can handle the soldiers, but I let the kids get away", "look for the green and power-clouded brain behind all the trouble", "a loyal dog won't leave you". Just a popcorn movie with nice effects. It's got a twist here and there, and it ends with great conscientiousness. For kids of all ages. A better 3 stars. (02/10/2015)

Hardworking and teachable Beta of Spielberg’s Alpha. From the very beginning, Jurassic World has profiled itself as a "new generation" blockbuster, which consciously draws from its inspirations and at the same time tries to name the basic rules, regularities and limits of its universe. So, we find ourselves in a world where the good old attractions were no longer "jagged and big" enough, so it was necessary to develop new ones that are artificially boosted, and thus reliably deadly. Jurassic World is in fact a struggle between enchanted film nostalgia and the triumph of megalomania in the form of a genetically infused prehistoric lizard. Surprisingly, the film is clearly for the lovers of the great first film, to which it completely subordinates its mythology, logic and the directing style to the talented Colin Trevorrow. However, Jurassic World will never achieve the brilliance and smoothness of the attractions of Jurassic Park; it will always be missing a bit of it. Nevertheless, it has enough entertaining parts to hold one’s attention. At the same time, it has one big advantage - the growing ironic charisma of sweaty adventurer Chris Pratt. Is a new Harrison Ford being born? (10/06/2015)

Funny, suspenseful, touching, dignified, great. Jurassic World turned out the best that it could. The script moves along without the slightest problem, there is careful direction with a sense of alternating serious and light moments, a lot of nostalgia, but not so much that the film cowardly relies on it, new ideas, excellent sympathetic actors, in short, everything is as it should be. Moreover, the trailers didn't show everything, so there is no shortage of surprises (the best moments of the film for me). I'm glad Colin Trevorrow has done so well and outwitted all the doubters. And Michael Giacchino is also a hustler because, unlike Don Davis in Jurassic Park 3, he didn't try to imitate John Williams but used his themes as the cornerstones of his own music, which was the best possible approach.___P.S. But the Czech subtitles! I don't know in what conditions Petr Zenkl created them, but to turn triceratops into "triceratoptors" and to turn a female indominus rex into a male, although "him" is still referred to as "she" or "it", it really wasn't necessary.___P.P.S. Unfortunately, the same subtitles were used for the DVD release without any corrections. (12/06/2015)