Brooklyn

For a moment you have the feeling that it will resemble the best of Minghella in its innocence and precise direction, sometimes the main trio's Atonement winks at us with its atmosphere and fatefulness, and in the end you will recognize only a modern, subtly made, sometimes emotional romance for not completely stupid viewers who want something more, but mainly nothing inventive, beyond their perception. A punishingly mediocre film, with an excellent performance by Saoirse Ronan, who is wasted here for such a normal story with such a lacklustre denouement. (21/05/2016)

Brooklyn is a nicely filmed, delicate Harlequin romance with thin content, or rather with content that is perceived and resolves life events in a stereotypical feminine way – simplistically and through tears. Nevertheless, the Oscar nomination for Best Picture is understandable, as the movie does its best to suck up to Hollywood and its standards. (28/02/2016)

A Rosamunde Pilcher-like sweet pastry wrapped in an American flag that is a straightforward example of academic and emotional cynicism. Everything is at a high level of craftsmanship and with great actors who make us believe the emotions, but at the same time the story is terribly pathetic, predictable and artificially human, channelled through women's tears and the suffering of love. What definitely deserves the most praise is the performance of Saoirse Ronan, the rest will soon be lost in the crowded cinematic memory. (22/07/2016)

A neat red-green bookcase with a pastel trim. If it has more layers than Šorš's sensitive hesitation over whether it leans more toward the stunted Italian bidet repairman, or to the snarled Irish Nazi from Star Wars, I've probably overlooked them, but it's because its overdosed by color, soft light, and Irish music. I'm not even mad at the movie, it's just a compilation of everything that kills me in similar dramas. The ending is a really clean slogan from the encyclopedia of clichés for beginning and ending screenwriters. (10/03/2016)

An Irish movie about Irish immigrants in the middle of Brooklyn. So obviously, a movie that a lot of families could relate to. Personally, I liked Saoirse Ronan the best and I must say that the young Italian was right; Irish girls are prettier than the Italian ones. Even those in this movie have something about them and Saoirse is outright radiating beauty. The story isn’t anything extraordinary. You can pretty much guess it based on the premise. It’s not an innovative drama, but on the other hand, it’s proper filmmaking. And that’s definitely worth something. (29/02/2016)