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When Eilis is given a chance to emigrate to New York she jumps at the chance for a better life, even if it means leaving her family and home. Desperately homesick at first, Eilis soon finds romance in Brooklyn, but when a family emergency forces her back to Ireland, she finds herself torn between her personal freedom and her family responsibilities. (BBC)

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Reviews (9)

lamps 

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English A Rosamunde Pilcher-like sweet pastry wrapped in an American flag that is a straightforward example of academic and emotional cynicism. Everything is at a high level of craftsmanship and with great actors who make us believe the emotions, but at the same time the story is terribly pathetic, predictable and artificially human, channelled through women's tears and the suffering of love. What definitely deserves the most praise is the performance of Saoirse Ronan, the rest will soon be lost in the crowded cinematic memory. ()

kaylin 

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English I can't help it, but this movie just couldn't fully captivate me. The story didn't entertain me, even though I see a certain depth in it that comes with its point. As a romance, it's pleasantly calm; there are no intense scenes, which I like. It's well made in how the world tries to influence one life. And he won't let it happen. But I'm not thrilled with the film. ()

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Marigold 

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English A neat red-green bookcase with a pastel trim. If it has more layers than Šorš's sensitive hesitation over whether it leans more toward the stunted Italian bidet repairman, or to the snarled Irish Nazi from Star Wars, I've probably overlooked them, but it's because its overdosed by color, soft light, and Irish music. I'm not even mad at the movie, it's just a compilation of everything that kills me in similar dramas. The ending is a really clean slogan from the encyclopedia of clichés for beginning and ending screenwriters. ()

D.Moore 

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English Pure romance, a joy to behold. If you're gonna film the red library, please do it like this. Pleasant, with insight (the novel was adapted by Nick Hornby), with a good period atmosphere and above all with actors and actresses whom you believe everything - every smile, every worry. Especially the gradually blossoming Saoirse Ronan would make anyone fall in love, and when that fragile ethereal creature cries, it can move a stone to emotion. I don't see any reason to give it a lower rating just because "it's an ordinary romance", which may be true, but it depends on the impression it made on me. And the impression is 100%. ()

POMO 

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English Brooklyn is a nicely filmed, delicate Harlequin romance with thin content, or rather with content that is perceived and resolves life events in a stereotypical feminine way – simplistically and through tears. Nevertheless, the Oscar nomination for Best Picture is understandable, as the movie does its best to suck up to Hollywood and its standards. ()

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