Alien: Covenant

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In Alien: Covenant, set as a sequel to Prometheus, the crew of the Covenant discover a planet they believe to be paradise, but when they actually start to investigate they find a dark and dangerous world inhabited by a colony of creatures who are less than pleased to see them. (20th Century Fox Home Entertainment)

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Reviews (19)

MrHlad 

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English Nope. Ridley Scott didn't make another Alien, he made another Prometheus. And what didn't work in the first one still doesn't work here, and maybe even more so. The characters are even duller, half of them are practically there just to die, and there's really no personality to speak of. On top of that, Katherine Waterston is an utterly insipid and unimaginative female lead. And unfortunately Ridley has this whole boring bunch babbling, sniffing things on an unknown planet, getting lost, splitting up and dying in such an undignified way that the word "cliché" doesn't even begin to describe it. Scott is still trying to make a movie with transcendence; philosophical, religious and thought-provoking, but again, the whole thing is dull at best and usually laughable, just like the villain David. It doesn't work as a horror film, it doesn't even want to do much, and the whole thing felt like a movie in which the aliens appear more or less only because it can't be called Prometheus 2. What you love about Alien, you don't get here. Because the senile Scott is going head to head with the wall and has probably decided to finish his Prometheus saga despite the fact that nobody really wants it. ()

J*A*S*M 

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English Once again it’s not the hit we were hoping for, but I think it’s at least a decent sci-fi horror flick. In any case, it’s a pity that it’s so half-assed and unfocused, because the plot arc potential is big. Unfortunately, it’s watered down by dense characters, dense dialogues and some dense scenes, too. The birth of the first real alien was actually funny. Overall, it has the same problems as Prometheus, but a couple of positives things on top. And if you were pissed off at explorers taking their helmets off too soon in Prometheus , here when landing on a new planet, they won’t even bother to put them on. Edit: I have to say that this wore off quite fast. Much faster than Prometheus, to which I returned after the screening. When I think back about Covenant, I mostly remember the negative aspects, which in the previous one was the opposite. And this is a relevant reason to lower the rating. ()

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Malarkey 

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English Ridley Scott is going crazy in his old age and so he’s trying to squeeze as much as possible out of his child – the Alien. Because I don’t really get the new Alien trilogy starting with Prometheus. Sure, the first one was a bit interesting, but the Covenant is not only stupid, it’s outright a copy of the first Alien. Why? And don’t even get me started on the CGI that sometimes looks like it’s made by a below-average Nigerian IT student. The Covenant is downright stupid and has no redeeming qualities in terms of the Alien saga. ()

Marigold 

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English A film where someone alternately screams hysterically in confusing scenes and alternately philosophizes about the issues of the space game show quiz in far too clear shots. Everyone behaves so erratically that the Prometheus crew reminds of professors of logic on a trip to the land of the eight-way. After a totally WTF birth scene, I decided that Alien had just died for me. One star for Franco's compression without having to utter a bare sentence on board. That is the right decision. The only one. ()

POMO 

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English Let’s not get stuck in the past. A classic will live forever, in “lonely perfection” as David would call its place in history. And now, after thirty years, it’s time to try a new take on the premise – simple but effective, fun at the level of a contemporary, not that of groundbreaking films in the sci-fi genre. I enjoyed Alien: Covenant because it’s a hardcore sci-fi horror flick with fantastic esthetics, breathtaking locations and music that (finally) references the atmospheric scores by Jerry Goldsmith and James Horner. I enjoyed the escalating thrilling scenes (the first scene showing the return to Lander that takes as much as ten minutes ranks among the best in the whole series), and the nicely designed situations in which characters are killed off in accordance with the genre rules. Before the characters get out of one mess, the viewer already knows about another that will make everything even worse for them. Not to mention the healthy dose of blood and brutality. SPOILER ALERT: The script explains the origin of Giger’s creatures and I find this self-destructive notion that the ultimate evil is created by an android created by man rather compelling. Thematically, this is another version of Cameron’s Skynet. The android confrontation gives the Alien universe an interesting new dimension. And the pessimistic ending offers great possibilities for further development in future installments. I look forward to those! ()

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