Transcendence

Technology is a good servant, but a bad master that will steal your soul, ok? It gives the impression that Pfister is a senile old man (while he’s so young) who would "ban all those internets!". And he decided to share this attitude with the world through this would-be “techno"-thriller where the attitude to everyday technologies is like that your great-great grand-father would have if you went back in time and tried to explain to him what the Internet, cloud computing, uploading/downloading is. This is all very unintentionally funny, little seen method, but this is paradoxically the most minor problem that Transcendence suffers from. Much worse it that in the second half, Pfister gains a thirst for pontification and so he starts preaching about the state of society, the world, the contents of your fridge, the heavens... Simply anything that happened to occur to him or bug him during filming. The only thing is that he’s really dumb in what he says and how he says it. If onto this “quasi-Malick-like" concept, you graft scenes like IT guys cum FBI agents jumping out of a tunnel in the middle of the desert, armed to the teeth to do a bit of ratatatat in the direction of some nano-zombies while spouting wisdom such as “don’t go near them or they will infect you with a virus and upload your mind to their cloud" (meant of course absolutely seriously), then there remains nothing else to do but shake your head in disbelief or beat the table with it or else just make cruel fun out of the creators. And that is the only level where Pfister’s debut works outstandingly well. (28/08/2014)

In my opinion, this is a critical picture of the low social intelligence of scientists who, even if they receive unlimited resources to realize their visions, fail because of miserable PR. But maybe I misunderstood it. In any case, it has been a long time since I have had to work so hard to not fall asleep in the cinema. Wally, don't make idiots out of us. [40%] (17/04/2014)

A film with a great idea, simple but impressive. I'll bet you anything that if (producer) Christopher Nolan had shot it exactly the way (his cinematographer) Wally Pfister shot it, and if he had cast someone currently more popular than "that washed-up buffoon Depp" in the lead role, the ratings here would certainly look different. Redder. Too bad, but what can you do? I enjoyed Transcendence many times more than, say, Interstellar. Interesting plot from the beginning to the end, believable characters played by excellent actors, no complicated half-baked explanations... And that beautiful hesitation about who is good and who is bad (if anyone). In short, a spectacle to my taste, I round up four and a half stars to the 61 percent on purpose. (24/01/2015)

This is what a film would look like if Christopher Nolan got high, drunk, and filmed a philosophical sci-fi in a cheerful mood with a lot of unanswered questions about saving the world. It’s hard to understand how so many renowned names and relatively solid actors could agree to such a screenplay travesty, because I can't remember a worse job by a screenwriter in a blockbuster in recent memory. Nothing works, neither the emotions, nor the logic of the plot, nor the chemistry of the characters. Incredibly poorly directed flop. (16/04/2015)

I get the feeling that Wally Pfister bit off more than he could chew and couldn't transform his ambitions into a form that would allow us to speak about Transcendence as a powerful experience. The position of a director is simply more demanding than that of a cinematographer. Pfister evidently tried to shoot not only an entertaining genre film but above all a film with a deeper meaning. The result is a strange mishmash that neither entertains nor gives the impression of an artistic work. What good is it to engage a significant personality and acting chameleon Johnny Depp when the director tries to suppress him and he doesn't really fit into such a role typologically? He is simply wasted in it, and I can think of a dozen better candidates who would have been much more effective. The prevailing feeling in the end is disappointment and the impression that I have in front of me a grandiose but pathetic-looking B-movie. Overall impression: 40%. (17/03/2016)