Star Trek Beyond

Perhaps the most elaborate script of the series, killed by the jockeying of the action races, where the routine waterfall of attractions is mostly spent sadly reminiscing about the times when two big destructive events were good enough and the rest was made up with fancy characters and casual humor. One witty line about stalking and a dozen fast and furious "copy & paste" shots for a hundred and twenty minutes. A clear aspirant for the Top 5 blockbuster shits of the year. (21/09/2016)

I'm not setting off into the unknown next time. I have no problem with the characters, the lines are pretty funny too, but the biggest letdown is the action. It lacked any kind of suspense and was quite confusing at times. Only the soundtrack got full stars from me; otherwise this was boring. 2 stars (10/09/2016)

The latest Star Trek bears a striking resemblance to Star Wars on first impression: lots of worlds, strange creatures and smells, cityscapes and space ships. It's just that what is pure invention and creative joy in Star Wars is rather copied from somewhere in the new adventure of the Enteprise crew and set up to look fantastic to the eye, but not so glorious under the skin. The main plot is not even worth commenting on. Basically, there isn't any – unless you count the bad guy who wants to destroy the world, or in this case the universe. After a great opening action scene and a fantastic gala presentation of the combat base (visual effects artists rulez, camera wtf?) comes an exhausting half hour of hanging out on a semi-deserted planet in blackened filters with one cool painted girl kicking ass all around and still managing to listen to music. The ending returns to warp mode and puts up a solid battle, where it narrowly loses to its predecessors, it’s weaker. Less constricted, less dramatic and less dark, but endearingly mischievous with wonderfully layered characters and a healthy essence of humour. (22/08/2016)

The third part of modern Star Trek movies differs from the previous two parts in that it puts much more emphasis on the starship crew and humor at the expense of the story itself, which is simplified to an absolute minimum. You can easily find the story boring, compared to the second installment, but you will be laughing from the beginning to the end. For example, Simon Pegg definitely enjoyed himself portraying the character. And rightly so because he contributed to the script. And it shows. You will laugh not only at him, but also at a number of other situations that make the Enterprise crew one of the best ones in today’s blockbusters. Which is definitely good. Thanks to that, the whole movie series came closer to the TV series itself, and I think that any Trekkie could certainly appreciate this. It’s not just about being a modern flashy digital movie, but also about the cool atmosphere during the whole film. And you get loads of it. (07/06/2017)

I'm THIS close to giving it five stars, because it's not worse than Into Darkness. It has much more routine and confusing action, but at the same time it feels much more relaxed. A simple plot, which in an intimate and humorous introduction refers more to the poetics of the series, a well-used villain that reinforces Kirk's dilemma and the motif of emptiness related to discovering the infinite universe, crunchy dialogues (the most touching parts are during conversations), a solid pace which comes from the screenplay more so than from Lin's directing, which overuses the offset camera and hyper-kinetic shots (in 3D it's really not easy to navigate) a bit much. I was afraid of getting a no brainer, and instead I got vintage Star Trek. I won’t hesitate to sign up for another mission with this crew! (08/08/2016)