Passengers

The only film of its kind, a creatively grasped and logically developed romance in the cinephile milieu of the lovers of 2001: A Space Odyssey or Alien. The audience's enthusiasm for the comfort and limitless possibilities of a closed futuristic world is impressively confronted with an emerging moral dilemma, while the precisely rhythmic narrative seamlessly connects the lines of the overarching sci-fi conflict with the internal conflicts and relationships of the awakened characters. Laurence Fishburne's character may be a very violently executed scripted interlude whose sole purpose is to nudge the central pair towards resolving technical glitches, and the ending is too Hollywood, but the overall enthusiasm still far outweighs that, and not just because of the likeable Pratt and the beautiful Jennifer, who would be a turn-on for any guy with even a minimal sex drive, but also thanks to the delightful cinematic references, led by bartender Michael Sheen a.k.a. Lloyd from Kubrick's The Shining, who instantly ranks as one of the most endearing figures in the history of bartending and sci-fi. Anyone who talks about insanely wasted potential must have the most vivid imagination since Tolkien, 85% (27/02/2017)

Jennifer Lawrence and Chris Pratt are showing prime acting talent in this movie. On the other hand, there are also Laurence Fishbourne and Michael Sheen who could strike your fancy. It’s basically a pretty intimate sci-fi that’s enticing exactly because of this intimacy. Personally, I was very pleased. Technically precise, brilliant as far as the actors go. The question is: what about the director’s take on this? I hear that that the ending wasn’t for everyone, but I liked it. As for me, I was satisfied and happy for each and every new sci-fi that catches the general public’s interest. Especially when it’s as high-quality as this one. (26/09/2017)

I was expecting a clever point during the ending, an unexpected revelation (for example that someone also woke Chris Pratt up)... Well, unfortunately, this is not a film for lovers of such things, because the finale is full of action, highly digital and very interesting. But I liked everything before that, and I kept asking, “What is he going to do now? What will she do when she finds out that he...?" and so on. I was extremely entertained by the robotic Michael Sheen and the romantic storyline of the main (only) protagonists, and I enjoyed the mystery which... which then screwed up the aforementioned ending. It’s too bad, but a lost two hours it was not. (28/12/2018)

A textbook sci-fi romance. A-grade actors, decent effects and if at the end the screenplay hadn’t begun freewheeling so unoriginally, the movie could have been excellent. In retrospect I’m disappointed that I had already learned of a fundamental twist (from the time when Keanu Reaves was meant to play Jim) which the trailers sensibly kept secret. P.S: Andy Garcia appears for precisely three seconds. (08/01/2017)

A space romance where there is little space and a lot of romance, which is often quite forced and out of place, but it has to be there. Unfortunately, the plot around the spaceship is very simple and just a sort of binder in the concept of a story about a couple's relationship and life in a rocket. It's not bad, the production design is impressive, full of neon and cutting-edge gadgets, but underneath the polished shell, it's a generic, fairly uninteresting relationship drama. (04/03/2017)