Directed by:
David YatesScreenplay:
J. K. RowlingCinematography:
Philippe RousselotComposer:
James Newton HowardCast:
Eddie Redmayne, Dan Fogler, Colin Farrell, Katherine Waterston, Alison Sudol, Ezra Miller, Samantha Morton, Jenn Murray, Jon Voight, Gemma Chan, Carmen Ejogo (more)VOD (4)
Plots(1)
There are growing dangers in the wizarding world of 1926 New York. Something mysterious is leaving a path of destruction in the streets, threatening to expose the wizarding community to the No-Majs (American for Muggles), including the Second Salemers, a fanatical faction bent on eradicating them. And the powerful, dark wizard Gellert Grindelwald, after wreaking havoc in Europe, has slipped away… and is now nowhere to be found. Unaware of the rising tensions, Newt Scamander arrives in the city nearing the end of a global excursion to research and rescue magical creatures, some of which are safeguarded in the magical hidden dimensions of his deceptively nondescript leather case. But potential disaster strikes when unsuspecting No-Maj Jacob Kowalski inadvertently lets some of Newt’s beasts loose in a city already on edge - a serious breach of the Statute of Secrecy that former Auror Tina Goldstein jumps on, seeing her chance to regain her post as an investigator. However, things take an ominous turn when Percival Graves, the enigmatic Director of Magical Security at MACUSA (Magical Congress of the United States of America), casts his suspicions on both Newt… and Tina. Now allied, Newt and Tina, together with Tina’s sister, Queenie, and their new No-Maj friend, Jacob, form a band of unlikely heroes, who must recover Newt’s missing beasts before they come to harm. But the stakes are higher than these four outsiders - now branded fugitives - ever imagined, as their mission puts them on a collision course with dark forces that could push the wizarding and No-Maj worlds to the brink of war. (Warner Bros. Home Entertainment)
(more)Videos (24)
Reviews (14)
In general, I appreciate the excessive patience of Potter fans who wait until you know who turns into you know who, but I don't suffer from such a lack of imagination that I can't imagine thousands of better ways to waste 134 minutes of my life. Yes, the film is as long and self-serving as the previous sentence. And it has a nice soundtrack. Your Universal Platypus.
()
Nice surprise. The collaboration between David Yates and J.K. Rowling turned out great again. The film has only details in common with Harry Potter (the opening soundtrack, the orcs, the newspaper with the video, the names of the spells and the magical effect after the clash of wands), but in any case the film has a similar atmosphere of mini references as The Hobbit films. Eddie Redmayne is really a class act, at first I found his speech strange, yet he shows that he has his acting qualities, the two cute little sisters and the hilarious Dan Fogler were also great. I liked the whole concept of catching monsters in a trunk throughout New York, I wonder if there will be a different city in the next installment. The creatures are filmed brilliantly and are something to watch. Colin Farrell as the bad guy is also decent. Story 8/10, Atmosphere 9/10, Gore 0/10, Visuals 9/10, Action 8/10, Suspense 7/10, Humor 6/10. Entertainment 8/10, Scares 0/10. I'm glad to see the start of a decent series again, all the good ones are over. 85%.
()
Really pleasant. Not a sequel to Harry Potter, or anything like that. There are big names are thrown into the equation, but not as forcefully as I was afraid it would be. Fantastic Beasts are solving their own problems at a time, when Harry Potter’s dad wasn’t even in diapers. For the first time in his career, Redmayne actually plays a truly nice guy, who knows how wave a magic wand when necessary. The Beasts themselves are nice. The Bowtruckle and the kleptomaniac mole are easily the best. Rowling handles the story very well, functional mystery/detective story is gripping to the end. Collin Farrell’s performance is effortless, but the heart of the movie is Dan Fogler. The non-magician’s perception of the world of magic is a great idea. His resigned acceptance of everything that’s happening is magical in his delivery. At first I was worried little wary, but now I can’t wait for sequel. The music is a subtle tribute to Williamson, the main theme is truly well composed. P.S.: Let Fassbender play Dumbledore next time.
()
Yes, I have a soft spot for Rowling and her storytelling, and if I had to spontaneously choose which arbitrary fictional world I would want to spend the rest of my life in, it wouldn't be Middle Earth or Pandora, but a magical community where you can summon beer from the fridge without having to get up off the Quidditch couch. Fantastic Beasts is a satisfying intro to a new series overflowing with visual ideas developed to the smallest detail and, above all, a palpable of love and fascination with its own world and its unlimited laws, which it then successfully transfers to the dazzled viewer through the endearing character of Kovalski. Unfortunately, the story is not that good. Rowling pushes together multiple storylines that flow independently from each other and are connected by rather skeletal and thin bridges in the finale, with the sorcerer Grindelwald, the biggest planned star of the whole series, being an essentially insignificant and unnecessary figure for the development of the story. The darker Potter-esque feel is there, but Yates certainly does an excellent job keeping the film, with the right timing of humour and a nice pace, at least within the confines of a charming children's tale, which is also true of the actors. We'll see what the sequel brings, to which this episode is obviously preparing very much.
()
For me, this film perfectly fits the term "producer's film." There’s craft certainty, but also inner nihilism. The logical nonsense (why doesn't Scamander use his wand right away in the hunt and instead lets everything go to the extremes?) hidden under Yates' confident direction will lull you into a sense that everything is fine. When you want to recapitulate the plot after the end, you can’t.
()
Ads