Directed by:
David YatesScreenplay:
J. K. RowlingCinematography:
Philippe RousselotComposer:
James Newton HowardCast:
Eddie Redmayne, Dan Fogler, Colin Farrell, Katherine Waterston, Alison Sudol, Ezra Miller, Samantha Morton, Jenn Murray, Jon Voight, Gemma Chan, Carmen Ejogo (more)VOD (4)
Plots(1)
There are growing dangers in the wizarding world of 1926 New York. Something mysterious is leaving a path of destruction in the streets, threatening to expose the wizarding community to the No-Majs (American for Muggles), including the Second Salemers, a fanatical faction bent on eradicating them. And the powerful, dark wizard Gellert Grindelwald, after wreaking havoc in Europe, has slipped away… and is now nowhere to be found. Unaware of the rising tensions, Newt Scamander arrives in the city nearing the end of a global excursion to research and rescue magical creatures, some of which are safeguarded in the magical hidden dimensions of his deceptively nondescript leather case. But potential disaster strikes when unsuspecting No-Maj Jacob Kowalski inadvertently lets some of Newt’s beasts loose in a city already on edge - a serious breach of the Statute of Secrecy that former Auror Tina Goldstein jumps on, seeing her chance to regain her post as an investigator. However, things take an ominous turn when Percival Graves, the enigmatic Director of Magical Security at MACUSA (Magical Congress of the United States of America), casts his suspicions on both Newt… and Tina. Now allied, Newt and Tina, together with Tina’s sister, Queenie, and their new No-Maj friend, Jacob, form a band of unlikely heroes, who must recover Newt’s missing beasts before they come to harm. But the stakes are higher than these four outsiders - now branded fugitives - ever imagined, as their mission puts them on a collision course with dark forces that could push the wizarding and No-Maj worlds to the brink of war. (Warner Bros. Home Entertainment)
(more)Videos (24)
Reviews (13)
In general, I appreciate the excessive patience of Potter fans who wait until you know who turns into you know who, but I don't suffer from such a lack of imagination that I can't imagine thousands of better ways to waste 134 minutes of my life. Yes, the film is as long and self-serving as the previous sentence. And it has a nice soundtrack. Your Universal Platypus.
()
If you expect to go see something that will expand the universe you’ve identified with your entire childhood and that you still swear by to this day, you tread lightly – even on the cinema carpet itself. You have no clue just how enchanted you’ll be in the upcoming minutes. You do not make a sound and suspect that it all ends well. But suspicion isn’t automatically a win. Sometimes it all goes bad and it can be a real mess-up. But not in Newt Scamander’s case, who has originally introduced himself to me with zero emotions and via a book that I’d gotten as a Christmas gift that winter, that I haven’t touched since and that’s been collecting dust somewhere. But film studios are a superpower and money needs to come from somewhere. And when one brand is squeezed dry, another one must replace it and so Newt came to the stage, starting with movie number one and ending with god-knows-what number, all according to the earnings and creative possibilities, of course. But personally, I gotta say that Newt and the other characters have all left a mark on me. During the movie, I realized that once again, I was in the world of witchcraft and wizardry, just a few years earlier than before, which isn’t bad at all. I was also happy to watch Katherine Waterston and Alison Sudol, both of whom I hadn’t even known before. The muggle Dan Fogler also didn’t disappoint me and so didn’t Johnny Depp at the very end. I feel like I know the direction it’s all going to go and honestly, I’m glad Johnny Depp will be a part of it. It’s almost as if my childhood was coming back… And with these kinds of movies, that’s never a bad feeling.
()
Five years is an incredibly long time, so when the first notes of the familiar soundtrack started playing, genuine goosebumps appeared and didn't leave me until the closing credits. My beloved JK Rowling is constantly adding surprises, new ideas, and genuine magic to the script every few seconds. What's more, Eddie Redmayne perfectly fits a role for the first time in his career, a role tailor-made for his quirks and shyness, which stands out even more in contrast with the chilling (and as expected, perfect) Colin Farrell. But what I enjoy the most is that the heroes are adults who are skilled in magic, so all the chases are incredibly dynamic. Combined with the touching fairytale romance, it's not just a surprise, because I was expecting a fantastic spectacle, but I didn't expect the Fantastic Beasts to play the most touching personal notes for me.
()
Really pleasant. Not a sequel to Harry Potter, or anything like that. There are big names are thrown into the equation, but not as forcefully as I was afraid it would be. Fantastic Beasts are solving their own problems at a time, when Harry Potter’s dad wasn’t even in diapers. For the first time in his career, Redmayne actually plays a truly nice guy, who knows how wave a magic wand when necessary. The Beasts themselves are nice. The Bowtruckle and the kleptomaniac mole are easily the best. Rowling handles the story very well, functional mystery/detective story is gripping to the end. Collin Farrell’s performance is effortless, but the heart of the movie is Dan Fogler. The non-magician’s perception of the world of magic is a great idea. His resigned acceptance of everything that’s happening is magical in his delivery. At first I was worried little wary, but now I can’t wait for sequel. The music is a subtle tribute to Williamson, the main theme is truly well composed. P.S.: Let Fassbender play Dumbledore next time.
()
For me, this film perfectly fits the term "producer's film." There’s craft certainty, but also inner nihilism. The logical nonsense (why doesn't Scamander use his wand right away in the hunt and instead lets everything go to the extremes?) hidden under Yates' confident direction will lull you into a sense that everything is fine. When you want to recapitulate the plot after the end, you can’t.
()
Ads