X-Men: Apocalypse

Seduced by visions of billion-dollar sales, the people at Fox applied a Marvel-esque concept, and the result is a director's genocide of his own children. It consists of rejuvenating detailed heroes with interchangeable faces and letting them fly thoughtlessly among digital backdrops. Yet Singer forgets about his main asset - strong characters - meaning that there is a complete lack of attachments, motivations, and, heaven forbid, tension. The viewer is thus left with a producer film that perfectly hits its target audience for a hundred and fifty minutes (it's not boring for even a second), but one that also sells its own soul (key moments are alternated from the past) and leaves the broken hearts of fans of what has laboriously redefined the comic book genre for sixteen years to die in agony. (18/05/2016)

A gift for Bryan Singer. After contributing to the series with origin, key work, and crossover, the situation finally arises where he can rampage carelessly, break free from the chain, and simply shoot a pure team comic book. I knew from the announcement of the storyline that it wouldn't be routine, but that it would be one of the highlights of the entire universe, and I'm still breathless a day after seeing it. It's not just a clash with an unbeatable enemy, but also the way the heroes themselves are incorporated into it. There's no need to develop them because we've spent six movies with some of them and know what to expect from them. Magneto's next attempt to exit the scene, Raven's inability to cope with herself and with mutants as such, or the newly developing juniors portrayed by Scott and Jean are still storylines that complete the already perfect cocktail of characters and motifs. And when you add Quicksilver, the visit to Lake Alkali, or the astral confrontation of the strongest wills, X-Men: Apocalypse becomes the strongest superhero film at least of this year. (29/05/2016)

Still good, the catastrophe announced by the first reviews does not occur. Or rather, it occurs, but in a good sense...if you get my drift. :) The blue clown doesn’t command much respect and his super powers aren’t clearly defined (which is a shame) so he uses whatever power he wants when he wants. But any dramatic scene with Fassbender or McAvoy is always by far the best. Apocalypse is a picture about destruction and again about the strength of unity. I’m not sure what direction the creators want to move with this concept because in this movie they largely repeat themselves. I’m beginning to feel my age. I have a feeling that I saw some parts of the subplots somewhere long ago... I was very pleased with the Weapon X program, identical to the comic book. We’re already looking forward to good old Wolvie. (21/05/2016)

Let's face it: this movie isn't very good, but then again, I wasn't bored. Granted it had scenes where I'm not sitting in the cinema but at the PC, so I'm stomping them because their bullshit was unlistenable; on the other hand, it had a scene I'd like to see again, which of course is the one with the great music and the "express train". There's not much to say about the acting, the actors didn't really stand out, the story was kind of rubbish, but the music managed to draw you in. It's a heavy middling film that surprisingly didn't bore me too much; I only had to roll my eyes about three times. :-D Get over how illogical it was that a bunch of Polish workers could speak English (since we're on location and speaking a foreign language, let's play it to the hilt!), or that one randomly shot ordinary arrow (which wouldn't have a metal tip!) kills two birds with one stone, and it's a nice movie for an evening when you come home from work and just want to be entertained. 55%. (19/05/2016)

Days of Future Past was already a harbinger of future total shit and incomprehensible creative decline, and, unfortunately, Age of Apocalypse is full of that. All the things we loved about the X-Men – the characters, the relationships, the connection to reality – are missing here and have been replaced by the classic comic-book elements of Marvel: a CGI mess and a constant change of locations that is supposed to evoke a sort of build-up of the plot. There are only a few really good scenes that will resonate though – primarily almost everything with Fassbender and a minute of Wolverine, unless you count Jennifer Lawrence in a sexy purple costume, or a few nice visual effects that just copy what we've seen better/more sparingly used in previous episodes. The gamble on youth didn't pay off and neither did the super villain, who, surprisingly, wants to destroy the world – something we haven’t seen yet. (11/09/2016)