The Conjuring 2

Slightly worse than the first film, which was less flashy and explicit. The first few tens of minutes nevertheless show that Wan is a master of timing and the mise-en-scène work, through which the camera moves with frighteningly distorting certainty. In fact, after extraordinarily intense and painfully stretched scenes of scares, I wondered how much more I could bear, but (un)fortunately a passage of pathetic conversations, an ode to a Christian marriage, and the skill of Patrick Wilson, who has time to sing Elvis, the repair of a broken garbage, and driving away Satan, occur. This time, the adoration of the Warren couple is beyond an indulgent smile and the film does not achieve the sharpness of the introduction. Nevertheless, the spooky satanic extravaganza does not lose its claws, which one appreciates the most when the lights go out in the evening after the screening and the whole thing takes shape in your head. P. S. Marilyn Manson can act... like during the times of the Antichrist. [70%] (09/06/2016)

Wan has obviously run out of horror ammo. Visually, it again attacks the atmospheric mastery and imagination of Guillermo del Toro, but in terms of content it’s desperately boring and mired in scenes that are simply passé given the genre's recent years. The runtime reeks of an attempt to establish the warmest possible sympathy with the victims and Warren, which is understandable, but the horror filler is so bland this time that we are left with creative intentions rather than a truly "ghostly" and nerve-wracking experience. The day after the screening I hardly remember a single truly scary moment, apart from the hilarious final 15 minutes. The simpler and more straightforward Lights Out stuck in my head incomparably more. 50% (30/08/2016)

Wan is doing the same thing for the thousandth time, but he still knows how to tighten the strings famously, even though he uses the same thing and you actually feel a bit ashamed that you keep eating it up ("My home!"). This is true of the first half. The second half is a bit of a muddled screenwriting mess, where the supremacy of the ethereal child cast is ended by special effects and narrative imprudence. The first film is dramaturgically tighter, although it is actually about the same thing. (08/06/2016)

James Wan's The Conjuring 2 was the clear dark horse of this year, and even though I find it a bit weaker than the first part, it will probably still take the first place this year. Wan's signature is evident in every aspect. Excellent camera work, impressive interiors, when a scare is supposed to come it doesn't and vice versa (Wan is just great at this), and I have to praise the villains, the Nun and the Crooked man were so amazing that I want to see a solo movie with them (The Nun is even confirmed already). The first hour suffocates with a pretty aggressive pace where almost every five minutes you don’t know what's coming next, but after the Warrens arrive there is a pretty long pause where I was bored at times, for which I also take off a star. The finale, though shorter, is decent. The exorcism in the basement in the first one was more intense though. As far as scares go, only two impressed me, but that's more due to the number of horror films I've seen and my resistance to scares. There isn't and won't be anything better in the horror genre, and that needs to be acknowledged. Story 7/10, Atmosphere 9/10, Gore 0/10, Visuals 8/10, Action 6/10, Suspense 8/10, Humor 3/10. Entertainment 8/10, Scares 7/10. 85%. (26/06/2016)

I didn't see the first part, and just the trailer for the second part gave me goosebumps, but I finally decided to watch it anyway. Within the horror genre, this is definitely an above average piece of filmmaking, where the tension is very well built up from hints to honest scares, and the thick atmosphere could be seriously chainsawed through in places. The cast was great, the story and script were well written and not too predictable as is often the case. I found myself with my fingers in front of my eyes during more than one scene - I'm not a good viewer for these kinds of films - but at least it's clear that the film evoked the target emotions in me, so it worked as planned. A solidly terrifying two hours that really won't leave you feeling rested. (24/12/2016)