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Twelve people have walked on the moon, but only one man - Philippe Petit (Joseph Gordon-Levitt) - has ever walked in the immense void between the World Trade Center towers. Guided by his real-life mentor, Papa Rudy (Ben Kingsley), and aided by an unlikely band of international recruits, Petit and his gang overcome long odds, betrayals, dissension and countless close calls to conceive and execute their mad plan. Academy Award winning director Robert Zemeckis uses advanced technology in the service of an emotional, character-driven story. The Walk is a love letter to Paris and New York City in the 1970s, but most of all, to the Towers of the World Trade Center. (Sony Pictures Home Entertainment)

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Marigold 

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English Paradoxically, Zemeckis exaggerates it with that elegance on a rope. Petit's high jinks are staged openly as a theater / myth - the protagonist's personality is a stepping stone to an eccentric expedition to a place where there is no death, only "splendor" and everything is dominated by the avantgarde pose of the artist as an acrobat, a man who is not afraid of the abyss, because death is only about not inviting the depths to a duel. It's simple and naive, but in defense of the film, let it be said that this is exactly what it is aiming to be. The regression into Petit's childhood is Burtonian poetic (and unfortunately quite exaggerated), the very performance of the magnificent "coup" is again stylized as an exuberant and exciting heist. Apart from Gravity, the moments on the rope are quite possibly the most significant thing you will experience at IMAX. Unfortunately, in time, everything else is flat, very flowery, and emotionally completely barren. The only perception that really exists in this film is the dizzying depth underfoot. Everything else is just an epic narrated shallowness, streams of lightly spoken words of the exhibiting principal (Robert and Joseph), their funny exuberant "accent", which unfortunately do not help the drama very much.*** 1/2. P.S. I'm looking forward to the analyses of the neo-formalist wing - the film seems to really want it. ()

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EvilPhoEniX 

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English For someone who doesn't like dramas and Robert Zemeckis in particular, this was a pleasant surprise. I was worried that the whole film would be boring and it wouldn't be until the last 15 minutes that Joseph Gordon-Levitt gots on the rope, I was wrong. Nice and entertaining pace from the start, Gordon-Levitt is great, I can see him as a future star who will be fighting for golden statues, all the preparation and motivation was quite engaging and the ending itself was surreal. I witnessed something truly great, spectacular, my legs ached, I felt dizzy, I almost went mad and Gordon-Levitt has my admiration. Great. 80%. ()

3DD!3 

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English Homage to a fallen monument. Another masterpiece from Zemeckis with a great story, breathtaking effects and a heart thumping inside. Gordon-Levitt brings Petit to life just fabulously. He chatters, recounts and there’s never a dull moment. Digifest, sure. Over-Americanized, sure. But if it all benefits the story, I don’t care. Let me introduce myself, my name is Philippe Petit and I’m a tightrope walker. ()

agentmiky 

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English The Walk brings us the story of a brave man who pursued his dream. Robert Zemeckis has once again delivered a remarkable film. The visual aspect is a great strength of the film, especially the scenes of walking on the wire between the twin towers. Gordon-Levitt was, in my opinion, a perfect choice for the lead role, as he played it very well, and the changed appearance of his face was really interesting. Additionally, throughout the film, there are perfect tracks that are pleasing to the ears. The ending was breathtaking; the scene felt authentic, and I commend those who created it. While it won't receive a perfect score, I still enjoyed the film, and I give it 80%. ()

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