The Jungle Book

  • USA The Jungle Book (more)
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In an epic adventure directed by Jon Favreau, Mowgli, a man-cub raised in the jungle by a family of wolves, embarks on a captivating journey of self-discovery when he's forced to abandon the only home he's ever known. Featuring Bill Murray, Ben Kingsley and Scarlett Johansson in a spectacular all-star voice cast. (Disney / Buena Vista)

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Trailer 1

Reviews (13)

Malarkey 

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English I do admit that at first I didn’t really feel like watching this flick. It was somehow getting under my skin that animals in a real, non-animated world could speak and that they spoke English. But after about ten minutes and several nice shots, I decided to bear with the film to see what would come out of it. I mean the book itself, written by Rudyard Kipling, had a very clever plot. And well, what eventually came out of it was one of the most beautiful digital films that I have ever seen. I don’t think you will be able to see such beautiful shots of the jungle anywhere else. It might be because of the digital effects. But it is a treat to watch it and once you’ve watched it, you will realize that you will never see a better adaptation of Kipling’s book in your lifetime. ()

MrHlad 

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English Jon Favreau never really appealed to me as a director. Iron Man is a retrospectively weaker Marvel movie that stands and falls mostly on Robert Downey Jr. (and don’t get me started on the second one), Cowboys & Aliens is awful and Zathura is pretty good. Nothing more. So when he took a swipe at The Jungle Book, which everyone knows, I didn't particularly care for it. Which makes the result all the more enjoyable. It's not that it's a perfect film, at times it's quite choppy in terms of story (the part with monkeys could have been shorter), but as a film with ambitions to entertain young and old viewers alike, this journey among digital animals simply works. Favreau handles the action scenes, the suspenseful moments and the humour, and he also keeps an eye on the visuals. The Jungle Book is gorgeous, and the wilderness can even bear comparison to Avatar's Pandora. There's plenty to look at and I imagine the little ones will stare at the screen with utter delight, whether it's Baloo cackling, Sher Khan terrifying or Scarlett Johansson hissing. This is not a cinematic revolution or a film that will go down in history, but it’s a very proper genre film where almost everything works as it should. Well done. And I wouldn't mind seeing it a second time. ()

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D.Moore 

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English It's relaxing entertainment with a fantastic production design and unfortunately a few reservations, some of which are the fault of the Czech version (the songs have almost no energy) and some of which are the fault of the original (again the song, this time King Louie's, which doesn't really fit the scene, the underused snake Ka and the ending, which is surprisingly more fairytale-like than in the original cartoon). Otherwise, I liked The Jungle Book and I'm glad that Jon Favreau got the money for it after the general dissatisfaction with Cowboys & Aliens and that he did a good job. John Debney's music was also successful, relying mainly on well-known motifs, but he also has a few ideas of his own, and the best character is, of course, Baloo with Bill Murray's facial expressions. ()

Kaka 

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English If they can’t do it through the comics, they will do it with visually impressive animal almost-animated adventures? No way. That's where the cool vibe of the book is. There's a lot of frolicking, and if it weren't for all the technical niceties and the incredibly elaborate digital animation of the animals, it would hardly be mediocre, because the few witty comments can't save the hugely short, desperately underwrought story and uneven pacing. Avatar remains unsurpassed in technical opulence and the effort here was felt all the way across the screen! ()

lamps 

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English The 1967 animated film was more entertaining, but this is such a visually bombastic and convincing adaptation of Kipling's novel that it has given it readership and an audience sheen for years to come. There are no emotional fireworks and Favreau orchestrates the narrative concept on the levels of a safe family flick, but the amazing CGI at times perhaps surpasses anything we've seen so far, the unconventionality and majesty of the setting and characters radiate from every frame, and the fantastic original voice acting is the cherry on top. It's been a long time since I was so sorry I missed a movie at the cinema. ()

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