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If revenge was always a dish best served cold it would get boring pretty quickly. From producer Pedro Almodóvar comes six stories, each exploring a different facet of vengeance and the various brilliant, mad, toe-curling and hilarious flavours in which it can be dished out to perpetrators. Whether it’s taking out a belligerent crime lord, getting your car towed again, retribution on promiscuity or good old fashioned road rage, Wild Tales is an outrageous, tense and riotous dark comedy that takes every infuriating situation which feels all too familiar and blows them out to their bitter and hysterical end. (Artificial Eye)

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Reviews (12)

gudaulin 

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English Once I visited a psychiatrist and anxiously asked him if I was okay, as I am constantly faced with increasingly intense cravings to strangle my children. He assured me that it is a part of almost every parent's fate and that he also experiences it. He said alcohol helps him, and when he doesn't know what to do next, instead of using cutting, stabbing, or shooting weapons, it is better to take out a little ball and squeeze it in the palms until completely calm. Unfortunately, the heroes of Argentine film stories do not use a ball and give full expression to their emotions seasoned with typical South American temperament. I consider this black comedy, which looks at society's flaws and human weaknesses with sarcastic detachment, to be the most pleasant film surprise of 2014. I somehow identified with the humor of Wild Tales and especially envy the protagonist of the first story for his uncompromising efforts because only a few of us have the ability to bring things to a perfect end. Out of the 6 stories, I consider 5 of them to be highly outstanding, while one somewhat does not fit into the overall poetic and comedic style and either the screenwriter should have added a bit more exaggeration and comedic tone, or he should have left it out completely. But that doesn't change the fact that I enjoyed this film about the corruption of the system, albeit differently from the others. Overall impression: 90%. ()

Pethushka 

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English A few more or less crazy stories that definitely don't spare the viewer. You don't know whether to cry, laugh, or maybe turn it off to keep your sanity. But the adrenaline that flows under the skin of all the characters will ultimately decide for you. You simply must watch this. Each of the stories is mediocre at the very least, but most of them are powerfully above average. I was most excited about the wedding and the tire. 4.5 stars. ()

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J*A*S*M 

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English Probably the best movie entertainment of the year so far. Six stories packed black humour (and surprisingly brutal at times) with the common theme of the exasperation and the rage of ordinary people in ordinary situations that lead to situations that are not at all ordinary. The stories are uniform in terms of quality – of course, there are some that I liked less than others (the best for me were, redneck, the bomber engineer and the ruined wedding), but I wouldn’t say any of them is a significant drop in quality. If I had to complain about anything, is that some of the twists and turns were predictable a bit earlier than they should. A point less for that, but highly recommended nonetheless. ()

D.Moore 

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English Wild Tales that get the nerves flowing, strain to bursting and they do burst, but the cynical diaphragm also comes into its own. The driver war clearly won it for me, but I can't say that the other stones in this black-humored mosaic were much worse. True, I would have liked it even more if the writer/director had also interwoven the stories in other ways than the ubiquitous insanity, but that's probably the only flaw I noticed.___P.S. If I were to watch Falling Down now (which I was reminded of by the short story with a pyrotechnician), it might not end well with my surroundings. ()

Isherwood 

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English The calculated push for mischievous points forces the viewer to not take the creative effort too seriously. That’s quite a shame, considering that morally I only liked the engineering odyssey and that the wedding revelry offered everything that its predecessors didn't, i.e., above all, a twisted merry-go-round of absurdity that presents those cynical life messages with utter sovereignty and ease, as if life itself had written them. I can't help but think that the filmmakers were capable of more. ()

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