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The Predators have returned to Earth to terrorise humankind once more. When an accidental signal is emitted to the Predators, they interpret it as a message to come back to Earth and aim to hunt down any human that gets in their way. A task force of hardened soldiers headed by former Army Ranger Quinn McKenna (Boyd Holbrook) and science teacher Casey Bracket (Olivia Munn) set out to bring down the monstrous killers before human civilisation as a whole is threatened. They may have their work cut out for them, however, as they discover that the Predators have evolved and are more relentless than ever. (20th Century Fox Home Entertainment)

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Malarkey 

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English Holy shit, who would have guessed how totally fucked up this was going to be? Shane Black as director? That is an absolute win. So, what did go wrong? Maybe the fact that Shane made a bit of a joke out of the Predator. The Predator is rough. It is like if you put a group of the toughest soldiers into Vietnamese jungle and asked them to smash their way through the worst shit. They will go and do it, similarly like Arnold Schwarzenegger when he was shooting the machine gun into the jungle not knowing what was happening around him. However, the fundamentals there were clear. Not to drive fear to the absurd but drive fear to the reality and add a bunch of tough lines that will be legendary even in a third generation. But here? The main theme of Predators is an autistic child and the whole thing revolves around a bunch of weirdos who do not take themselves seriously at all and turn this film into a complete farce. I get that it was meant that way, but I have to say it doesn’t fit Predator at all. Had I not known the original Predator, I would’ve been more or less satisfied. For example, Keegan Michael Key is a great comedian, but does a comedian belong into the Predator? I don’t fucking think so. Pardon my French, but this film does not deserve a more delicate review. ()

DaViD´82 

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English As if the Predator got into the hands of Carpenter in the mode of Big Trouble in Little China / Escape from XY. Yes, it's a truly B-rate nonsense. Yes, it's stuck time. Yes, it has little in common with the Predator. But it's extremely fun; sometimes intentionally (it typically uses one-liners in a Black style) and sometimes not (it does not hold together and does not make the slightest sense). Which doesn´t mind because whether it's silly, degraded, B-rate in terms of one-liners, it's just fun at all times. I this movie had been made a decade earlier, it would have been a cult movie today. So, the worse Predator, the better the B-movie. And it´s a damn good B-movie. ()

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EvilPhoEniX 

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English It's not as bad as the ratings and reviews say, but from one of the most anticipated films of the year and the guy who wrote the screenplay for The Last Boy Scout, the untapped potential hurts quite a bit. As an action B-movie, though, the film works reliably. There's quite a bit of action, blood is not spared, and especially at the end it's a pretty decent carnage and the characters are pretty good. The prevailing triple combo is the likable Boyd Holbrook, the beautiful Olivia Munn and the witty Keegan-Michael Key, who finally has a role tailored to him and quite a lot of space. Disappointingly, the atmosphere is almost non-existent, the suspense is also lacking and I couldn't find any Wow effect or scene that made me want to see the film again. That the story is uninteresting and naive I won't criticize, because the old Predator doesn't have a sophisticated script either. For me, the film is hurt quite a bit by the fact that it takes place in a city instead of a jungle. Anyway, the film fulfils its purpose of entertaining, but unfortunately you will not take anything more away from it this time. 65% ()

D.Moore 

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English I love that Shane Black wrote and filmed it his way and didn't merely need to slavishly reference the original, like Predators did last time. He simply made a typical comedy full of verbal wars and unexpected situations (in which once again a child in danger plays an important role, but who is far from defenseless), and although he was mostly interested in entertainment, there is also a decent amount of tension. Even though I have a few reservations, mainly about the beginning and the end, I'm still very satisfied. I was also pleased by the unknown but sympathetic actors (Black's screenwriter helped them a lot by ensuring the viewer would like them, and their deaths are therefore seriously impressive), and I have to praise Henry Jackman, too, who played with Silvestri's music in a much more original way than John Debney did last time. ()

POMO 

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English Shane Black upgrades everything imaginable, sets a fast pace and, especially with Dolby Atmos, successfully fulfills the requirements of a hit action movie (it’s taken up a level by the high-powered climax). What does not work, however, are the characters – there are quite a lot of them, not one of which is likable or interesting (Jacob Tremblay’s boy had “Spielbergian” potential but failed to fulfill it). The attempts at humor and coolness don’t work; moreover, they’re here at the expense of the atmosphere and tension for which I love the first installment and don’t mind the second. This one is a more action-packed and imaginative, but not much smarter Paul W.S. Anderson’s Alien vs. Predator. ()

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