La La Land

It´s way too much for a musical, or perhaps it´s the other way around. Hard to say. In the first third, it is also a regular musical, where one well-directed musical scene in one shot alternates with another. But then the singing fades away and what remains is (and visually pleasingly beautiful) tribute to the technicolor era of Hollywood and classical jazz. Although still in the form of a music / dance film, but not a musical in the true sense. Or, conversely, there are too many songs and the opening third should also have done without them like most of the rest of the footage. But it should definitely have been fifteen or twenty minutes shorter. However, what saves the movie is the "we always have our beloved Paris" bittersweet ending. During this one, I would be willing to ignore every drawback. (04/01/2017)

A charming update of a classical musical, which, in the captivating rhythm of jazz, tells the sensual story of two souls whose paths were supposed to come together, but they just intersected. It made me so sad and was hard on my soul that I wanted to poke my brain with a needle from a turntable in front of all that technicolor beauty. Do you love jazz this much too? (04/01/2017)

It's been a long time since this genre has been this good. I myself don't understand what the magic is and where that lightness comes from, which so many others are usually lacking. I can't even imagine how hard it must be to gauge the line between genius and kitsch in film music. You can really smell the talent. And Ryan, with Emma by his side, just lays it on like he was born for the part. 4.5 stars. (17/04/2017)

The only musical since Moulin Rouge! that is not only artistically beautiful, but also internally fragile. The most poetic romance since Crouching Tiger, Hidden Dragon. And maybe the ”cutest” movie ever, with its heart on its sleeve. It is a wonderful tribute to film, music, love and the city of stars (pardon, angels), which won’t give you anything for free. Damien Chazelle is a game changer; he understands much more deeply than anyone else. And he does what he wants without disturbing the perfect fulfillment of the genre template. In short, he’s the greatest new filmmaking talent of this decade. (23/01/2017)

I'm not denying that it has the intrinsic energy and impressive technical processing, but I'm not willing to deal with the fact that the musical interludes actually hurt it (the second half, which more or less gets by without them, is much better than the first). In addition, the lavish kitsch framing the story of the supposedly naive but in many ways self-centered narcissists is actually annoying. What I want from Chazelle is any genre film where the music will be a means, not an end. Given his age, he has unique skills. (05/01/2017)