Fantastic Beasts: The Crimes of Grindelwald

A fascist, anti-Nazi Depp in the blue continuation of the prequel to a magical saga… It's a little simplistic in places, but otherwise pleasant. A major drawback is that Grindewald’s crimes can’t stand alone. They are linked to so many storylines from the Harry Potter films as well as the previous Fantastic Beasts that it more or less manages to address the fundamental points in its quite limited runtime. Here, Rowling lacks the space that she has in her novels, where she can explain certain aspects. We don’t feel any connection with the new characters and they appear and disappear too quickly. Even Depp hardly appears in this movie. Law is all right, but lacks the space to shine. But even with all of these shortcomings, the narrative works. Yates should hand the directing over to someone with more skill. The action scenes are confusing and someone deserves be punched for the extreme close-ups at the beginning. The camera is often right in Redmayn’s freckly face. I don’t need to look at that. P.S. The Japanese snake woman is sexy beyond belief. I now understand Voldemort’s exaggerated affection towards her. (21/11/2018)

As a sworn fan of the Harry Potter’s universe who can recite the names of most of the characters, spells and places at the drop of a hat, I automatically keep my distance with the related stuff by Rowling – with the exception of “The Cursed Child” – and the film adaptations of “Fantastic Beasts” illustrate why. I accepted the first one for the way it lays down the potentially interesting characters and conflicts and for the visually enriching expansion of the fictional world, and I honestly hate the second one for the very same reasons. It’s almost incredible how they manage to throw so many good guys with intertwined relationships into one world that is so powerfully dark, without having a proper clash in the climax. During the course of the film you’ll never guess where the story is heading, because it’s not really heading anywhere, it only delays stupidly the encounter of all the characters so there’ll be enough time for beasts, romance and flashbacks for morons. I still believe that the next sequel will explain all the apparently redundant motifs, but that doesn’t change the fact that the second Fantastic Beasts is awfully boring, that recycles stuff we’ve already seen and that the escalation is in fact stagnation with a multiplication potion. The first part of Deathly Hallows was great in comparison, it had several highlights and a clear narrative direction; here, the only things that are fine are Hogwarts, the young Dumbledore and one intimate scene with Newt and Tina that shows true emotions. Otherwise, if you erase if from your memory, you won’t be missing anything. (15/11/2018)

Every sequel between the first and potentially last installment of Fantastic Beasts (not only) has the unfortunate function of being a connector between the adventures – something that must be taken into account when watching the film. After two years, we return to a magical world that is slowly beginning to split into two camps, which includes close friends. The film sees the return of many old familiar characters and animals (Niffler is the Scrat of feature films) and the addition of others we've met many times in the Harry Potter saga (Dumbledore, Flamel, Nagini), so we come a little closer to the films we basically grew up on. Personally, I'd cut back on the relationship peripeties, they aren’t entirely necessary (Newt + Tina, Leta + Theseus, Queenie + Jacob) and add where it has more potential (Dumbledore + Grindelwald), which hopefully we'll see in future installments. I liked the unraveling of the story around Leta and Credence, though in the latter case it was a bit overdone by the end, but we'll be see how it develops further. It should be noted, however, that they have failed to significantly tap into the potential that this series abounds with, which in this case is a shame. In the end, this is a sequel that I had fun with in the cinema, and I was treated to some impressively shot scenes, but all the time I had in mind the fact that it could have been done in a different way than as a sequence of a few plot twists and new questions, which, although it set the stage for the next film, made the whole thing feel a bit sketchy – a thankless function of the middle films in a series, but one that can be avoided. P.S. I wonder how it is that IMDb lists McGonagall, who should be -8 years old at the time, among the characters? (15/11/2018)

I actually had a bit of a déjà vu. Within the Harry Potter universe, the story is a few decades older than the one that was current at the time with the final two-parter about the Battle of Hogwarts. It’s as if the authors travelled back in time to do an inconspicuous film preparation for the epic final battle. And we’ve already seen that once. So, at times the first half of the film was incredibly boring. The entire movie is shot in these strange, dark-bleak colors that you have to work pretty hard not to be lulled to sleep by. And since there is nothing going on in the plot and there is zero action, it’s not easy to fight the urge to sleep. Some animals are quite nice the same way as in the first movie, but that’s about it. There isn’t much humor and the only thing that I remember about the characters is that Eddie’s portrayal of the anti-social Newt is more than believable. There still are a few good moments here. For instance, casting Jude Law as young Dumbledore was a great choice. J. K. Rowling also provided a couple of interesting story twists that fans of Harry Potter will surely appreciate. It still feels like a weaker return not only to Hogwarts. But when the film is taking place in Hogwarts, it picks up considerably. (27/11/2018)

Another unimaginative film in which the duel between young Dumbledore and Grindelwald is in the cards, but it really is only in the cards - and it will probably take several more films before it actually happens. Rowling and a few others are unsuccessfully trying to fill sparse and artificially stretched story, based more or less only on the search for a wizard around Paris (surprisingly not Grindelwald), with sub-plots with the completely banal issues of a large number of characters, some of whom are presented just to be in the film, but they do not say or do anything significant at any point (and they probably won’t do anything meaningful until future sequels). In the background there seems to be the onset of an epic story arc about the fateful clash of the two greatest wizards of their time, but the film as such does not tell a great story and only rides on the fringe lukewarm romantic storylines of its heroes, Potter nostalgia and digital animals, which are only there for decoration. Visually, the film is beautiful and full of imaginative and fun-filled suggestions, which make it just an amusement park of colorful attractions and unfulfilled promises. (14/11/2018)