The Devil's Advocate

This film has four big assets: Al Pacino, whose portrayal of the Devil is unique, Charlize Theron, who’s even better as a woman falling into madness, great music by James Newton Howard, and an interesting and novel plot. Keanu Reeves does his best, but he's no match for the first two. Excellent thriller. (13/04/2003)

But yeah, the beginning is slow and the ending is surprisingly bad compared to what we have been watching and how the film seemed in terms of what should be at the end. But those performances, uniquely dominated by Al Pacino, are simply good. Keanu Reeves fit perfectly for this role, but in comparison, you can still see how great Al Pacino is. Some scenes here are absolutely amazing, such as the one in the subway or the opening one in court. (25/09/2014)

Superb thriller with a brilliant demonic performance by Al Pacino. The story develops slowly and I even doubted that the advertised supernatural element would appear at all. Fortunately, halfway through things begin going in right direction, Satan shines, Charlize Theron is impressively crazy and Keanu Reeves is pretty good, too. I can imagine it 30 minutes shorter, but doesn’t matter, it still fun as it is. 9/10 (21/05/2010)

Watching it, I never would have guessed that Devil's Advocate went through five years of pre-production hell and that the filming was beset with difficulties and delays. Because everything about it feels like a totally coherent original vision that was fun for everyone to work on, from the actors and camera work to the sets and music. After all, even dead wood like Keanu Reeves gives a decent performance here. The best part is how the main story is propelled through interesting and intense subplots, and when the film opens with a close-up of the confused face of an underage witness, no one thinks that two hours later the main character will be shooting himself in the head surrounded by flames and black candles. Given the way the film slowly doles out information and odd situations, I would give anything to see it for the first time with no knowledge of what's behind it all. This is how genre movies were made in 1997, kids. Years later, I was quite taken aback by Al Pacino's prescient monologue about billions of Eddie Barzoons entering the new millennium. Tony Gilroy writes, others cry. (25/05/2020)

This film is hard to rate. On the one hand, the performances are all excellent, Keanu Reeves and Charlize Theron are simply great, and I don't even have to dwell on Al Pacino, he’s one of the best actors ever, after all, and his expression alone foreshadows and represents all the unfortunate events that take place throughout. Those events are truly delicious, by the way, with an appropriate level of nastiness and strong sexual overtones, all accompanied by Howard's haunting music. But there are flaws. First of all, the story is not very strong emotionally, it fails to grab the viewer by the armpits and shake them furiously, instead, it just plays lightly with our curls and pulls out a tuft here and there. OK, the main purpose of the film was certainly not just to scare and increase the psychological pressure, but that doesn't excuse the slightly tedious first half. 80% (24/01/2012)