American Made

It's a pity that Cruise's best role in recent years doesn't come in a slightly better (understand: better written, built and with a dramatic point) film. American Made flies too smoothly. Especially in the first half, one almost prays for artificial turbulence. But Spinelli's screenplay is a flat track composed of repetitive episodes carried by Tom's charisma and a ready-to-use 80s vibe. Although Liman tries to decently direct the film, he doesn't pull out any extra drive with his 80s magical processes. Fortunately, Cruise enjoys his everyday crook, who generally doesn't ask too many questions, so that the viewer can enjoy him as well. American Made is a solid, but too long episode of Narcos. The film owes almost everything to the Netflix series, but unfortunately also can't cover its limits when it is compared to it. A serious historical topic is thus dismissed by a few shortcuts and jokes, which we know almost literally from Narcos. But the series managed to unexpectedly make a mark. Barry tries to do it in the end, but rather harmlessly. Why ****? Because Tom. So the 4th piece from pure fandom. (25/08/2017)

A very likeable film from start to finish. You can cheer for the main hero, although he's not fully a good guy, it's thrilling and funny and it has a pleasant retro look and sound. I often thought of Gold with Mathew McConaughey, which, of course, had something extra and I liked even more, but I rarely thought of the much worse The Wolf of Wall Street. Tom Cruise shows us why he still belongs amongst the most sympathetic and best actors. (06/09/2017)

Barry Seal is Tom Cruise's one man show. Totally. Actually, there's nothing here but Tom Cruise in a role that was tailor-made for him. As a likeable bastard who can work for three deadly organizations at the same time and still make a damn good living at it, he's downright brilliant. His Barry is an amoral bastard, but with such enormous charm that you'll be rooting for him even as he muddies the waters with Colombian cartel bosses, delivers weapons to Central American paramilitary organizations, and buries his money in suitcases in the backyard. Barry has style, and thanks to Doug Liman and his brisk direction, his adventures are quite watchable. And it's only at the end that you realise that it's actually playing it too safe, that Barry's sort of getting away with everything, lacking a significant antagonist, conflict or even problem, and that it's not actually very interesting. Cruise fans will probably enjoy it to the max, others will be treated to a stylish, broadly entertaining but more or less pointless film. (27/07/2018)

A worse feature episode of Narcos, made in a relaxed but inconsistently executed style of The Wolf of Wall Street or the Lord of War. So, it never finds its own path and so it crouches in the shadow of the above. What would help is a better-built storyline, some emotions and a better executed shift to more serious department at the end, but purely as 80s stylized relaxed biographical nonsense, it's not really bad at all and it's definitely fun. Take my word for it. Especially thanks to Cruise, who is a great fit to this comic conceived role of a passive macho dude. Partly because he doesn't try to stylize himself into the real Barry Seal and he just plays himself. (24/08/2017)

A modern Scorsese who is as easy to look at as an overstuffed wallet, but at the same time embodies the fact that nobody can tell a story as coherently as the legendary Marty. Barry Seal wants to deliver a very complex and balanced story, but ends up offering terribly little room for the supporting characters and brings nothing new to the game apart from some flashy work with self-aware editing and music. I enjoyed Cruise, the pace and the positive feeling, even if it didn't always quite fit with the events described, but after a while what has stuck in my mind are hilarious bits, not a hilarious film. A respectable 70%, if only for Sarah Wright's undeniable potential for the less accessible roles whose ideas she cheekily encourages. (04/12/2017)