The Fate of the Furious

  • USA The Fate of the Furious (more)
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Now that Dom and Letty are on their honeymoon and Brian and Mia have retired from the game - and the rest of the crew has been exonerated - the globetrotting team has found a semblance of a normal life. But when a mysterious woman (Oscar® winner Charlize Theron) seduces Dom into the world of crime he can't seem to escape and a betrayal of those closest to him, they will face trials that will test them as never before. From the shores of Cuba and the streets of New York City to the icy plains off the arctic Barents Sea, our elite force will crisscross the globe to stop an anarchist from unleashing chaos on the world's stage...and to bring home the man who made them a family. (Universal Pictures US)

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Reviews (11)

DaViD´82 

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English It´s really sad when a similar essence of überblockbuster, which would like to rely on long excessive action-packed CGI escapades full of dozens of raining cars or nuclear submarines chasing the most luxurious sport cars on the planet, where perhaps two consecutive sequences cannot do without a Bay-scale explosion, only work during scenes where testosterone sparkles between Rock and Statham, where one or the other takes on the role of babysitter or women team coach, where Charlize and Kurt fully enjoy the guilty pleasure potential of their counterparts, etc. Thanks to making this movie move up to another level in term of everything (I was surprised it could be more absurd), this movie is the better one from the last two movie. But still, it has not found balance between various (what is missing are classic kicking someone´s ass moments which is a shame and it´s hard to believe with this cast) incomprehensible), team work and within the scope of a stylishly exaggerated blockbuster of the five. #family ()

kaylin 

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English This series has become my heart's delight, and it's very likely that I won't rate any future installments differently than 100%. For me, this is just a fantastic group that I'm happy to return to. There are emotions in it, it's entertaining, and damn, it's awesome in terms of special effects. The action ideas are so wonderfully crazy that they make me purr with delight. ()

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Malarkey 

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English The Fast and Furious brand isn’t about cars like it used to. It’s not about the races or the smell of burnt tires anymore. Now it’s a brand ensuring high-quality action orgies that may be as dumb as a doorknob, but they have bigger balls than an elephant does. Moreover, they have such a solid casting of action movie actors that I feel like they’ve created a sequel to The Expendables. Personally, I liked Jason Statham the most. He has found himself in his recent roles and he had some amazing lines here. The monstrous actor The Rock comes close second and the entire rest of them follows, including Charlize Theron who was pretty sickening as a villain. ()

Kaka 

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English The quality of the Fast and Furious movies can be assessed, for example, according to which you remember. The first one is memorable because it was relatively cheap, down-to-earth and original. Everyone remembers the fifth one because it brought a proper boost and a leap up in quality, plus a lot of great directorial ideas and audience draws (The Rock, etc.). The rest blends together with only the really great highlights being memorable, whether good or not. The eighth episode is no different and thus falls into the category of nothing exceptional. None of the action scenes are really climactic (CGI mess doesn't automatically mean awesome), Charlize Theron, Jason Statham and co. are fine, but with that kind of acting potential to piss on cars in two or three scenes, get run over by a submarine and that’s it? Where are the full contact fights like The Rock vs Diesel, or Rodriguez vs Carano? Those were the highlights in the action, this one has nothing of the sort. All the flashy gimmicks don't cover up the lack of creative ideas, and the 250 million dollar visuals aren't going to make this a macho action ride. The family feeling continues, okay, the main characters are old enough for that, but the best scenes are not the action ones, and that’s not quite okey. ()

Isherwood 

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English Being the screenwriter of a billion-dollar franchise must be a bitch. Sniffing cocaine out of the asses of L.A.'s top prostitutes and knowing that no matter how much shit you do on paper, you'll get away with it and someone will actually film it eventually. Don't be fooled by the perfect production glitz because this is Hollywood sludge that lacks even a shred of judgment. I don't mind the overblown action orgy, where stuntmen go all out and everything is tuned by special effects artists who were paid handsomely for their overtime. It bothers me that it flies around the world without anchoring itself in the plot, that so many Deus ex machina enter the plot, and that even the zombie is supposed to be excused by the fact that family is the most important thing. It’s overpriced kitsch that does not caricature the trend set by the fifth film in the series but instead degrades it. ()

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