The Fate of the Furious

But... ummm... Why not. It's soulless, but it's fun, although more than Vin Diesel and his family (put aside five crowns every time that word comes up and you have enough for a movie ticket) benefits from Dwayne Johnson and Jason Statham (I understand why they earned their own film), from Charlize Theron, and especially from the sympathetically excessive action, in which cars behave like wild animals and you wait for them to turn into Transformers, and when a submarine joins the final chase, it's actually not inappropriate at all. (30/06/2021)

The more obvious the complexity of the plot twists in which the gang has been throwing itself five installments in a row, the greater my excitement for the resulting film. Just a while ago, I was worried that there was nowhere to go, nowhere to build expectations, and nowhere for the characters to go. However, for a long time now, I have seen that none of this is necessary. Vin Diesel, from the position of the main face, incorporates all conceivable fan wishes into the scripts, including the dream (and surprisingly perfect) portrayal of the main antagonist. In the slower passages, he murmurs several phrases on the theme of "My Family" with an incomprehensible bass voice, and at the same time, he manages to come up with a surprise that no one expects (this time it is that stealer of scenes, Jason Statham). Various criticisms of physics or logic have never been more pointless. This saga operates in its own universe, and I will be happy if it continues at similar two-year intervals for a long time. (18/05/2017)

Fantastically filmed hogwash which I find incredibly entertaining. Great effects give even the most bizarre scenes a feeling of reality. Despite all of the crazy shit going down, the screenwriter manages to keep the story within firmly set bounds, and his imagination is admirable. Rock and Statham are delightful both with their cool lines and their friendly mockery of each other. Diesel is just classic. He made this movie for fun, earning some money at the same time. (21/04/2017)

Good for me. Surprisingly good, because they probably realized that what they are about to serve to the viewers cannot be sold with a serious face. So they focused more on humor, wisecracks, and irony. And it works. The over-the-top action is interspersed with moments where it is evident that everyone on set is actually having quite a bit of fun. In this eighth installment, they can do whatever they want, so they openly disregard rules, laws of physics, or logic. Vin Diesel, F. Gary Gray, and the whole gang simply received a bunch of money and had a blast like five-year-old boys whose parents built them a race track for the first time and now they can play... maybe Fast and Furious. Yeah, it's nonsense, but this time so sincerely exaggerated that it's impossible not to enjoy. And Jason Statham confirms here that it's a pity Hollywood discovered his comedic talent too late. I had a good time. (15/05/2017)

An ultra-brutally overblown action flick (at times to the point where I was expecting the Death Star to be the target of the villains and The Rock to pull a Mustang with a built-in R2-D2 out of the garage), but one that manages the near-impossible feat of finding a workable balance between over-the-top superhero antics, where absolutely anything goes, and a more serious psychological conflict leading to seriously motivated nonsensical antics. And the middle ground is both in the addictive humour and the tremendous insight, thanks to which the film immediately gets the audience exactly where it wants to go, and every sci-fi element is simply funny and somehow natural. But there’s also the very well constructed script, which, for a change, deftly handles the limited communicativeness and resorts much less to visibly improvised and wannabe cool dialogues (and when it does, it's quite good, e.g. the delicate verbal shootouts between Johnson and Statham, which are the steroid of the first half). In addition to being deliberately over-the-top and spectacular, the action is also royally entertaining and intense, culminating in a double finale that is one of the most gripping in history (Statham now aspires to be the nanny of the century, his scene with the baby being the best sequence of the entire series). Charlize is a great villain, Gybson still isn't annoying, I still love Rodriguez, and I sincerely hope Gray stays fast and furious, because after the miserable Seven, my interest in this testosterone-laden franchise shot to considerable heights. 80% (17/04/2017)