The Cremator

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The Cremator has been described in many ways as surrealist-inspired horror film, as an expressionistic political allegory, a pitch-black comic satire and as a dark and disturbing tale of terror. This brilliantly chilling film, a unique mix of Psycho, Dr Strangelove and Repulsion, is set in Prague during the Nazi occupation of Czechoslovakia. It tells the story of one Karl Kopfrkingl (Rudolf Hrušínský), a professional cremator, for whom the political climate allows free rein to his increasingly perverse and deranged impulses for the salvation of the world. (Second Run)

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novoten 

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English I don't remember when I was so cold during a film the entire time, without anything scary or disturbing happening. Just Hrušínský's presence left me frightened whenever he appeared in a shot. The highlight is the scene of the funeral speech in the closing, where his masterful acting is brought to perfection. Top-notch filmmaking quality, watching it again would require a little bit of courage. ()

kaylin 

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English "The Cremator" is an incredible movie, really. But there wasn't much doubt about that. Its history has already been thoroughly reviewed. The way Juraj Herz uses the camera, capturing various details, and the constant echo of Hrušínský's voice, these are just the basics of the creeping horror that sneaks into your heart. An immensely professional and complex work that truly has no equal in Czech and Slovak history. ()

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Marigold 

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English What more can I say? This film is big! Thanks to Rudolf Hrušínský, great thanks to Ladislav Fuks' book, which Herz was able to translate into an equally suggestive image in an absolutely incredible way. The overall stylization and the very sleek, regular pace of storytelling accurately mirror Roman Kopfrkingl's heart, where everything unfolds in concentric circles, where the same sentences and the same thoughts are repeated over and over again, and where a morbid obsession gradually emerges. First death, then your own specialness. The inner life of a man whose whole world is built on a game, to deny reality and transform it into something bizarrely humble, kind, and sleek, including death. Hrušínský as a half-empty vessel, gradually filled with the poison of ideology and conviction of his own importance, is inhumanly convincing. So is Herz's entire film... The most suggestive portrait of the madness of man and time period that I know. ()

DaViD´82 

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English A blissful, heavenly movie, even. The hypnotically dreamy atmosphere goes hand in hand with the innovative technical angle. A blessed thing, so to speak, of human dimensions, without a rival in the whole of our enchantingly beautiful country. And you will find many better movies even in the beautiful outside world. And Rudolf Hrušínský? A blessed actor who no longer has to feel that he didn’t do enough for us. ()

Stanislaus 

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English The Cremator can be thought of as either a deep psychological thriller or a comedy with the most morbid type of black humour. Either way, it is a high quality film in both respects, one of the best that was made in this country in the 1960s. Rudolf Hrušínský's breathtaking performance is a prime example of how one actor can conjure up an entire film all to himself, and even lead it. His monotonous and to some extent even kindly voice caused me considerable disgust, which kept building up over time. Zdeněk Liška's music is also nothing short of fabulous, especially the main theme with its unforgettable female vocals. In addition, I was impressed by the elaborate production design (Kopfrkingl's apartment and the crematorium), the visual technique of the "fisheye" and the number of bizarre supporting characters. In short, a film that is the ultimate experience that sends chills down your spine and makes your blood run cold in your veins ()

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