Life

After Gravity I guessed that somebody would someday film Alien in a similar style… it’s hard not to like Calvin and he’s the main hero of the entire movie and also one of few to behave with any logic. Otherwise this is a classic showcase of bad decisions when the rescuers eliminate themselves first. In acting terms excellent, Reynolds has a few great lines and Gyllenhaal is practically flawless, Rebecca Ferguson awesome. Apart from the lackluster events in the middle, a fascinated study of human mistakes. The ending is great, if only there hadn’t been the spoilers before it came out. Overall quite satisfactory. (25/08/2017)

Every year, roaring idiots can look forward to about a dozen almost identical infantile colouring books where a masked clown saves the world from a generic villain, but I would love to look forward to having once a decade a film with a similar budget (and cast and craftsmanship) that will be slightly similar to another film made about 40 years ago. Outrageous! Before the screening, I was hoping for a solid eight (like 8/10), in the end Life is an unconvincing seven, but still fine. I loved the design of the main monster and I enjoyed how several scenes play with zero gravity. In the first half at least, the film looked fairly smart, credible and scientific, but when it switches into thoroughbred B-movie chases (at around the second death), it’s no longer so smart, but what the hell. I also felt that the second half jumps awkwardly between action and “broody” sequences, as if stuff had been edited out so the film would not be too long. Personally, I would’ve also toughened up the horror. The expectation that Life could be something more than a snack before the upcoming Alien – Covenant was not fulfilled. But as a snack, it is pretty decent. (23/03/2017)

In moments when Daniel Espinosa attempts bouncing gravity steps, I mutter to myself something about missed ambitions, but as soon as inspiration from a certain legendary space creature fully manifests, it's a win. The tension doesn't let up even for a moment, Jake Gyllenhaal holds his own even in scenes full of seemingly meaningless dialogue, and even a good few hours after it's over, the thought-provoking conclusion continues to linger, forcing me to contemplate the causes and consequences. (24/03/2017)

Though it has a nice ending, Life is otherwise just a well-crafted yet routine genre movie that was born out of the possibility to use the audiovisual trends from Gravity. You won’t be bored, as the tension works and the cast is pleasant to look at, but the story is clichéd and the occasional lapses in logic and at least two poorly edited scenes drag the film down to the level of forgettable average. (31/03/2017)

Life is missing... life. Although it has a very nice liquid first scene and a very ambitious artistic aspect, even the olm that mutates into an octopus from the second floor is said to correspond to scientific knowledge. However, the rhythm of the film, which has the pace of a beginner driving at a driving school, certainly does not correspond to scientific knowledge. I really don't consider the alternation of tiring and awkward dialogues and action scenes to be the rhythm I want to indulge in in a similar thriller, especially when the motivation for the action is getting more ridiculous every minute. The fact that it’s a B-movie wouldn’t matter - if it hadn't been covered in the needless coat of attempts to create a contemplative A-movie, and if Espinosa hadn't directed with a ruler in his ass, it could have been at least as funny as in the first scenes. (22/03/2017)