Life

As an appetizer before the upcoming Alien flick, it was solid. What are we going to say, sci-fi horror movies are like saffron and with a 60 million budget and such a stellar cast, even more so. There's not much attention paid to the story here, after the opening 20 minutes the film deals out its cards clearly and it's a cosmic whodunit with a very creative creature feature that is definitely engaging. The atmosphere thickens decently, there's no shortage of tension, the music builds wonderfully and the final shot is bound to please any fan who grew up on horror films. I'm satisfied, well made entertainment. 75% (29/03/2017)

When I do something, I do it properly, not like Daniel Espinosa. He can indeed direct sci-fi with six heroes that looks magnificent and all those flyovers of the space station are quite impressive, but story-wise, it's a bit lacking. Life seems to balance between two genres. For a while, it plays at serious sci-fi, and a few scenes later, we have a decent horror-trash B-movie. Unfortunately, the film doesn't bring anything surprising or something we haven't seen before in either of these approaches. If Espinosa leaned more into the trashiness or tried to make Life something more thoughtful and steered it in a different direction than B-movie, it would be fine. And it would probably significantly justify the existence of the film itself. As it is, it's a nice-looking sci-fi flick with a chestburster that will only be mentioned in a few years in connection with lists of films that attempted to steal from Alien. (15/05/2017)

Though it has a nice ending, Life is otherwise just a well-crafted yet routine genre movie that was born out of the possibility to use the audiovisual trends from Gravity. You won’t be bored, as the tension works and the cast is pleasant to look at, but the story is clichéd and the occasional lapses in logic and at least two poorly edited scenes drag the film down to the level of forgettable average. (31/03/2017)

Life is missing... life. Although it has a very nice liquid first scene and a very ambitious artistic aspect, even the olm that mutates into an octopus from the second floor is said to correspond to scientific knowledge. However, the rhythm of the film, which has the pace of a beginner driving at a driving school, certainly does not correspond to scientific knowledge. I really don't consider the alternation of tiring and awkward dialogues and action scenes to be the rhythm I want to indulge in in a similar thriller, especially when the motivation for the action is getting more ridiculous every minute. The fact that it’s a B-movie wouldn’t matter - if it hadn't been covered in the needless coat of attempts to create a contemplative A-movie, and if Espinosa hadn't directed with a ruler in his ass, it could have been at least as funny as in the first scenes. (22/03/2017)

A mix of Gravity and Alien, intended to be dominated by man-eating plankton. There can't be much talk about originality, because the creators have obviously had a look at older pieces as well as the new, modern Gravity. The space walks and the destruction of the station are basically indistinguishable from Cuaron's opus (so cool), while the case after the module and the motion sensors look like right out of Alien. And of course there must be a racially and nationally diverse squad of astronauts (gradually dying) and at least twice in the film it must be mentioned that developed countries like Russia, USA, China are involved – exactly in that order! The ending is gratifying but not surprising. Just like Rebecca Ferguson. It’s a thematically heavy sci-fi flick that turns into light entertainment for any given evening. (15/06/2017)