Stranger Things

(series)
Trailer 2
Drama / Fantasy / Horror / Mystery / Sci-fi / Thriller
USA, (2016–2024), 36 h 1 min (Length: 42–150 min)

Cast:

Winona Ryder, David Harbour, Millie Bobby Brown, Finn Wolfhard, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Joe Keery, Noah Schnapp (more)
(more professions)

VOD (1)

Seasons(5) / Episodes(35)

Videos (17)

Trailer 2

Reviews (12)

gudaulin 

all reviews of this user

English I remember an ancient New Year's Eve scene where a composer had to compose a hit on the spot. He began using fragments of well-known melodies from various genres, explaining that before the listener recognizes it, the creator must jump somewhere else. Stranger Things does not address this problem. On the contrary, it proudly embraces its origins in the form of audience-familiar genres of the 80s and an atmosphere filled with mystery and paranormal phenomena reminiscent of Spielberg's spectacles. And unsurprisingly, it works. Enthusiastic viewers exchange information about how many film and TV references they recognized in each episode. I have rarely been carried away by nostalgia, and honestly, the Spielberg 80s motifs like E.T. the Extra-Terrestrial no longer affect me today - when I attempted to watch the film years later, I choked on the over-sweetened and naive family spectacle and gave up halfway through. I consider Stranger Things as reasonably well-made popcorn viewing that mechanically adopts the 80s style and favorite motifs from sci-fi adventure spectacles rather than creatively working with them. It is undoubtedly a decent spectacle but clearly tailored for a child audience and those driven by nostalgia. Winona Ryder's character, who captures viewers' emotions, was just as annoying to me as the wife of Walter White in Breaking Bad was to fans of that show. Furthermore, as the series progressed, I felt that the plot was heading in a different direction than I had hoped for and appreciated. Personally, I would have liked the series to only work with hints and expectations and not explicitly show the monster from another dimension. I give it three stars because the rest of my family found the series much more likable, and the sense of belonging when everyone gathers around the TV from time to time is not to be underestimated. However, I would seriously not be able to watch the second season. Overall impression: 55%. ()

DaViD´82 

all reviews of this user (in this series)

English Nostalgic Things... Authentic 80s King style (children's level) Carpenter style (horror level) Spielberg movie (adult level) par excellence, in other words Super 8 done absolutely right. It can't be more retro. You will recognize (among countless others) for example Stand by Me, E.T., Poltergeist, Close Encounters of the Third Kind, The Cocoon, Nightmare from Elm Street, Peanuts, The Monster Squad (simply put, the production of Amblin at the time) and... And not surprisingly, even if everything in it (like really everything, a s mall town, an unbelieving self-grown sheriff, a high school, etc.) is purely overseas 80s, so it doesn't seem like a nostalgic copy, a parody of itself or in any way contrived (namely there are two allusions per every minute of the running time), on the contrary, it stand firmly on its feet. In other words, this one doesn’t pretend to be 80s. IT IS 80s in terms of visuals, Carpenter's-tangerinedream musical undertones, mood and generally by atmosphere. And by far the best part is that all of the above is just a foundation for a graduated, mysterious, captivatingly disturbing and deliberately insight into a intentionally second-rate cliché story, which is also enhanced by acting performances, including those of children (after all, you can see on their cast how much it is faithful at the time, none of the children is nice or cute), and everything is dependent on their performance (what such Millie Brown can play only using her eyes, her much experienced, awarded and older colleagues can only envy her, because in spite of everything it is mainly and above all a children's (but not childish) expedition for adventure. If the 80s shaped you, so using the words of Charlie Sheen... What's not to love? | S1: 5/5 | S2: 5/5 | S3: 5/5 | ()

Ads

novoten 

all reviews of this user

English Season 1 – 100% – The instantly omnipresent love that swarms me the day after it airs, and tries to convince me that a powerful series for everyone has appeared after a few episodes have passed, has been getting on my nerves in recent years. So when this carousel started with Stranger Things, I properly shook my head at it. But this series is saving it by being truly for everyone. It has tension, a mysterious creature, a group of friends led by the wonderfully quippy Dustin, the perfect Eleven, a love triangle, and parental love portrayed by Winona Ryder. She is the one who receives the most criticism from viewers, which I can't understand from my own perspective considering her phenomenal performance, but people rarely welcome genuine and real emotions. The eight episodes are just right to get under your skin, solve the basic chain of mysteries, and leave the viewer begging for more adventures. Season 2 – 100% – Those whom I liked, I now adoringly worship; those whom I hesitated about have moved into the first group. From Lucas to Will, from Joyce to Eleven, and with Dustin and surprisingly, even the new king Steve at the forefront of it all. Stranger Things confirms that it is not a seasonal affair, and although most characters continue their expected development and we shouldn't expect any shocking twists, the second season is exactly what I didn't even dare to dream of. A perfect mix of romance, tension, horror, and a complete range of emotions. The enthusiasm of Matt and Ross Duffer and the fiery chemistry of all the actors involved are impressively evident in the result. After watching it for the second time, I definitively consider the second season one of the best things I have ever seen. Season 3 – 90% – After the nervous tension on multiple fronts, it is evident that the Duffer brothers wanted to add humor, which fully corresponds to the mentality of '80s sequels. However, they added a lot of it, so they cannot reach the emotional level of the previous season (which, after a two-year break and being forgotten by the wide audience, logically reached immense heights). Just as the frenzied relationship madness that pushes it to the edge can please many with its hormonal storm or various pranks between teenagers, refreshing as it may be for some, it can also be so annoying that one may not want to wait for another mysterious ride. The same applies to Hopper, who transitions from eternal laid-backness to an irritated ball of nerves – an unexpected change, but perfectly irresistible in David Harbour's portrayal. In the suspenseful moods, however, it is the most magnificent period with many unbelievably disgusting moments (which, however, you can't take your eyes off), with instantly iconic (re)unions, and so many goosebumps-inducing scenes that there perhaps wasn't an episode where I didn't find my jaw dropping to the ground at least once. I have a slight reservation due to minor genre disarray (romance, Russians, slime, family trauma), which this time stick a bit worse and will be tested upon an inevitable rewatch. P.S.: The wait for Millie Bobby Brown to finally receive some genuinely intended awards is starting to get a bit long. Season 4 – 90% – I'm not surprised by how drastically the series is growing in scale, number of characters, or budget, but I am shocked by how the whole world is still tuned to it. This is no longer an intimate horror, nor is it a children's adventure or a modest story from Stephen King's famous drawer. This is a seasonal blockbuster that is waited for months and years to be talked about, paraphrased, and criticized for a long time. And yet the world nods almost contentedly and religiously awaits the next episodes. And I'm with it, because although the concept is sometimes turned almost upside down, the essence remains the same. Irresistible characters, precise actors, a vibrating soundtrack, countless touching moments, and a period atmosphere where realities are not thrown at the viewer as bait, but actively involve them in the story. Stranger Things is one of those rare achievements that can evoke the feeling that these are my memories, even though my own childhood and adolescence had nothing in common with what is depicted. () (less) (more)

JFL 

all reviews of this user

English Just as Tarantino does not limit himself to mere quoting, but distils the essences of marginal genres and creates extreme pastiches, the Duffer brothers take an identical approach to eighties horror movies, teen flicks and children's adventures in order to mould a perfect fantastical story that allows viewers to feel the wonder of childhood, the anxieties of adolescence and the fears of parenthood, all at the same time. ()

Malarkey 

all reviews of this user (in this series)

English At home, we have basically devoured this show in one go. Stranger Things has the best of what I liked about old action/adventure/horror movies from the 1980s that I used to watch in the 1990s. A certain mysticism, fear, child heroes and an amazing contemporary synthwave music. If anyone holds classic movie adventures of times past close to their heart, don’t hesitate! This will definitely grab your attention. Stranger Things has an amazing style and I personally hope that it won’t end at the first season. ()

Gallery (1,227)