The Shape of Water

Set design great, nicely shot, a beautiful creature... and then there’s the rest of it. Messy and flaccid, of questionable artistic value, quietly loud, stereotypical – like it's all set in some artificial town full of robots playing humans. And yet they are all completely horny. I don't understand the Oscars (except for the sets), but neither do a lot of other people, so it's okay. 50%. (18/03/2018)

An utterly unique and bizarre retro-futuristic fantasy, an original mix of childish naivety, teenage infatuation and adult sexuality, combined with occasional brutality. Michael Shannon and his black fingers are so over-the-top. I get the Oscars, it's "something different" than what’s usual in the film medium, but I didn’t get a proper film experience. (05/03/2018)

Guillermo Del Toro and his new film The Shape of Water unfortunately didn't impress me and del Toro has disappointed me after a long time. While The Shape of Water garnered rave reviews and won awards at the Golden Globes for Best Director and Best Score, and I certainly can't deny the solid direction, the period atmosphere and decent performances, Michael Shannon as the bad guy is perhaps the best thing about the whole film, but the rest of the cast left me cold. The film has quite a plodding pace, an unlikeable main character who is so desperate that she's having it out with a Fish Man, and too much romance for my taste that the suspense and the few brutal scenes remain rather in the background. Surprisingly the humour works here though (“Never trust a man even if he is flat down there”). As a romantic fairytale about a mute girl who falls in love with a monster it seems to work, as a horror film it hardly works at all. But it will find its audience, a female audience I suppose. 45% (10/01/2018)

A stylishly magnificent tribute to old trash films, the beautifully captured atmosphere of the late 50s and 60s, an unconventional romance that grabs your heart, and a great performance by Sally Hawkins in the lead role. I have so far considered her a decent comedic actress, but what she showcased in this film has catapulted her very high in all aspects of character acting. Personally, I appreciate Guillermo del Toro's artistic playfulness, which reminds me of Jean-Pierre Jeunet's earlier works. Then there's the game with details, which you will probably fully grasp only upon repeated viewing. With this film, my poor knowledge of English came back to haunt me because many details escaped me. I wanted to know why the Golden Globes were awarded to the film, and now I know that they are in the best hands. So far, the rating on FilmBooster seems too low to me, the film probably hasn't yet found its target audience. Thank you, Guillermo, for the industrial charm of old times. Overall impression: 90%. (01/01/2018)

A great fairy tale with a deliberately B-movie story, but with its message and how it caresses on the soul, it trumps films that are more ambitious. Sally Hawkins is magical in the lead role, and Michael Shannon has created such a hideously entertaining story that I think it should belong to film history - his ambitious maniac is an example of someone completely unique in recent times. Del Toro's precise directing and Desplat's music, whose main motif you want to constantly whistle during the film, wraps it all into a beautiful experience that was seriously worth waiting for, although it premiered more than two months ago across the pond. (14/02/2018)