The Butterfly Effect
Cinematography:
Matthew F. LeonettiComposer:
Michael SubyCast:
Ashton Kutcher, Amy Smart, Melora Walters, Eric Stoltz, John Patrick Amedori, Elden Henson, Kevin G. Schmidt, Kevin Durand, William Lee Scott, Ethan Suplee (more)VOD (2)
Plots(1)
Evan (Ashton Kutcher) makes the incredible discovery that he can use the notebooks as a vehicle enabling him to journey back into the past so that his adult mind occupies the body of his childhood self. He begins a series of attempts to re-direct history with the aim of saving his friends and loved ones from the traumas that have befallen them. But every time Evan changes something in the past, however small, he finds when he returns to the present that his actions have had unexpected and disastrous consequences. The harder he tries to make things go right, the less able he seems to create a reality that allows him and Kayleigh (Amy Smart) to live happily ever after. (Icon Home Entertainment)
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Reviews (12)
The psycho beginning aside, this is a nice and sensual film. However, I was quite confused in the first few minutes and had absolutely no idea who was getting the beating. Then it got clearer and I couldn't stop staring. Ashton Kutcher played like we haven't seen him before and Amy Smart was a great partner for him. I experienced that killing feeling of helplessness with them to the maximum. And it scares me just to think that someone would sacrifice themselves for me like that without me ever knowing about it. I even shed a tear at the end. Nice, 4 stars.
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Quite a disappointment. I expected something interesting, like Donnie Darko, but alas. The Butterfly Effect is a viewer-friendly film aimed at an undemanding younger audience, the games with time are only for effect and without any depth. It is watchable, but it doesn’t have a chance to win my heart.
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Where its genre brothers (for instance, 12 Monkeys or Donnie Darko) in their complexity are just starting to warm up they’re wheels of logic, The Butterfly Effect with its “plot based and time paradox" line are still standing at a red light. Even so, it’s still a good movie, especially in the first half. After that the screenwriters (and, because they also directed it, the directors too) start running out of breath and ideas, while Kutcher runs out of talent. The whole movie starts to sink into the waters of mediocrity, with one cliché after another, and only thanks to the timely ending it didn’t sink even lower.
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I was definitely expecting more from this film, at least based on the reviews, the word of mouth and the audience reviews. But after it was over, I thought it was pretty obvious how this was going to end, so what's so bombastic about it? It's definitely a good subject, but they could have gleaned a whole lot more from it.
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This film’s numerous visual tricks, incredibly high-octane plot and mysterious atmosphere, supported by a beautifully mysterious and emotional soundtrack, will captivate you and give you a powerful and moving experience. But if you use your head more actively, you will repeatedly get tripped up. Some of the twists are solely for effect and diminish the sense of what happened before (why didn’t he return more times to that one moment and shape the circumstances so that everything would be perfect?!). Actually, the whole film is a less sophisticated version of Twelve Monkeys, but revolving not around the end of the world, but around love.
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