Ghost Dog: The Way of the Samurai

  • France Ghost Dog : La voie du samouraï (more)
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Killer-for-hire Ghost Dog (Forest Whitaker) lives his life by the ancient Samurai code Hagakure. When his sometime employer Louie (John Tormey) hires him to assassinate gangster Handsome Frank - at the behest of Mafia don Ray Vargo (Henry Silva) - Ghost Dog carries out the job. However, when Vargo discovers that there was a witness to the killing, he orders the reluctant Louie to have Ghost Dog taken out. After Vargo's men ransack his home and slaughter his beloved pigeons, Ghost Dog vows to revenge himself on the crime bosses in true Samurai fashion. (4DVD)

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kaylin 

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English A great example of how Jim Jarmusch is versatile when it comes to genre, and even though it's not a frantic action spectacle bursting with money poured into it, it's all the smarter for it. And of course, there will be action, make no mistake about it. There's a lot of shooting here, and it's quite inventive at times, you'll be surprised. Plus, it's really smart. ()

Lima 

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English It’s not as solid as Dead Man, but it’s more approachable for a wider audience. Jarmusch manages to cram a lot of ideas and interesting life insights into what is essentially a simple revenge story of a professional killer who follows the samurai code, thus elevating this film above the ordinary stuff. What I also appreciate is the choice of soundtrack. In Dead Man it was Neil Young's great mimimalism, here it was RZA's hip-hop sounds, which fits the mood of the film perfectly. ()

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Othello 

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English I’ve been too manhandled by extremes like Romeo Must Die or The Last Dragon to find the fusion of African-American and East Asian culture all that refreshing anymore. Apart from the atmosphere of a tidy American ghetto, what I enjoyed most was the notion that all the characters in the film – the mobsters, the samurai, and the ice cream vendors – are so passionate and exaggerated in their roles that the whole inner universe is kind of a perpetual LARP or, better still, a children's game where kids pretend to be adults. The film proves, among other things, that we simply choose what we are and no one can assign it to us unless we want it. ()

Stanislaus 

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English Ghost Dog is my third encounter with Jim Jarmusch's work, and I still haven't managed to come around to his directorial (and screenwriting) approach. Forest Whitaker was convincing as the unconventional samurai and won my sympathy, despite his "profession". The biggest problem I had was with the overly slow build-up of the plot, which, while corresponding with the "clean and quiet work of the samurai", I found it unrewarding in places. I liked the snippets about the samurai and was intrigued by the ice cream man and his interaction with the main character (EN vs. FR). I believe that if I were a hip hop fan, I would have enjoyed the film more. ()

3DD!3 

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English Fars recommended Ghost Dog to me and, after reading his great review, I decided to set out on the Way of the Samurai. Too bad that Fars fell asleep and didn’t watch to the end, because I think that he would have liked the movie much more. Forest Whitaker slipped hand into glove into his role and he truly is one of the most charismatic killers I have ever seen. The quotations from the code of honor were deep and I already know what I don’t ever want to be. A Samurai. It’s just not the life for me. Even though they could certainly give me a couple of tips. The picture is also full of snappy lines and also the methods of “executing contracts". Such precision is hard to find these days. Bourne would certainly be jealous. ()

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