Red Sparrow

A solid, old-school-style spy thriller. The director, Lawrence, knows what he’s doing, everything looks great and the big budget is obvious, but the pace is very slow and sometimes unnecessary twists drain the movie's power. Jennifer is appropriately stiff or even machine-like (so much that you wonder how much she’s just acting), but at the same time incredibly unattractive – nobody would want to get in her bed. The controversial nude scene really is superfluous and the movie could have done without it. Howard’s music is great. And Schoenaerts really does look a bit like Putin. (07/09/2019)

Sexy Jennifer Lawrence in an erotically cool spy thriller. I definitely think that if David Fincher had been in charge (he was supposed to direct it) it would have been a bigger hit, but it's still a decent thriller that isn't afraid of nudity and blood. Jennifer Lawrence is very sexy here and shows up full frontal naked, which will please many a male eye, as will the traditionally excellent Joel Edgerton. The hard training Jennifer undergoes in Russia to become a Red Sparrow is filmed very effectively, the psychological weight and erotic tension is omnipresent. At times the 140-minute running time drags in certain sequences and some editing wouldn't hurt, but I didn't find myself downright bored. The final torture and the denouement are excellent. A solid film that avoids the mainstream thanks to its eroticism and brutality and offers an unconventional story that hasn't been in cinemas for a while. 75% (15/03/2018)

A spy thriller with a pleasantly old-school edit, in which it's not about action, but rather suspense, and who, whom, why and how it ends up transferring. I liked it, and both Jennifer Lawrence and Joel Edgerton in particular were great. But I especially have to highlight the James Newton Howard soundtrack - he was heavily inspired by Tchaikovsky and if his overture was played in a classical Russian music concert, probably few would think that it doesn't belong there. (24/03/2019)

A top-rate psychological spy thriller. Although it doesn’t go very deep in its portrayal of the relationship between the two lead characters and escalates rather inconspicuously, it’s very unpredictable in the way it continuously taps on motifs that are smartly exploited without disrupting the coherence of its world and its deliberate detachment and mistrust. The runtime is not a problem, Lawrence ingeniously and effectively overlays condensed events with cross-cuts (the opening sequence is one of the year’s best) or overlapping multiple timelines (characters discuss a plan while the viewer is already watching its execution). Also, the film is a patch for the still absent psychologisation through sexual tension, which is sometimes treated rudely and violently (the conditions in the training facility can not be believed), but also sensitively and systematically when it comes to the development of the protagonist (and dramatizes the relationship between the main couple). Although I was a little disappointed by the twist regarding the identity of the western mole, which stinks of fairytale, the climax was nonetheless good and surprising. Another thing worth praise is the sophisticated audiovisual aspect, it might be par for the course, but there haven’t been many better looking movies in the cinema this year. 80% (03/02/2019)

Red Sparrow relate the tale of how a young ballerina, Jennifer Lawrence, became the best Russian spy overnight, of course after undergoing a training program for juvenile recruits at an ethically controversial Russian institute called “The Sex Games”. The movie is totally failed attempt at an atmospheric and refined cold-war thriller with a romantic storyline. A wannabe clever espionage drama where the chemistry between the Russian agent and her American counterpart is too feeble to serve as the movie’s sole foundation. It offers nothing else in its long runtime – neither thriller-like suspense nor action. With her baby face, Lawrence is the casting fuck-up of the year. Matthias Schoenaerts is the only one who gives a believable acting performance; he even looks like Putin! The music “inspired” by Goldsmith’s Basic Instinct is supposed to evoke a seductive sexual tone. The similarly conceived Atomic Blonde, which doesn’t pretend to be anything it’s not, is the clear winner here. (04/03/2018)