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In Karel Kachyňa's remarkable The Ear, a Communist Party functionary and wife find their house under surveillance and riddled with listening devices put there by his own ministry, and a harrowing night of dread and paranoia ensues. One of the most courageous and innovative films of its time, fearlessly referring to many taboo subjects of the Stalinist era, The Ear was banned by the Czech authorities, and remained unseen for twenty years. This landmark film is an extraordinary mix of one of the most direct indictments of life under an oppressive totalitarian system and a not-so-private examination of a disintegrating marital relationship. (Arrow Films)

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Othello 

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English A despotic anonymous regime carried out in constant meaningless celebrations, speeches, and gestures. Its representatives, degenerated by alcohol and permanent fear. The insecurity of everyone in their current position. The personalized camera capturing the events of a party infiltrated by undercover cops, where nobody knows how to talk to whom and what is really going on, is my favorite conception of communism as totally insane chaos and generator of mental illness under the surface. ()

NinadeL 

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English All kidding aside. It is indeed sympathetic that to this day Bohdalová can still bow to Procházka, but was there really only one film that was worth so much that she would throw away her entire previous career for it? The Ear soon became the reason for her varied efforts in film (since 1937) with considerable results, and she quickly turned into a stereotypical constant on the television screen. Later, she did try to return to the big screen, but the small amount from the 1990s can never make up for the wasted two decades in which she could have fully capitalized on her mature acting. Brzobohatý and Kachyňa were of course lucky in their misfortune, as they continued on much more smoothly... ()

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Lima 

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English Probably the best film showing the communist 1950s not as an exhilarated working class era, but as a time full of fear and widespread snitching. Brzobohatý as a high-ranking communist official and Bohadalová as his wife give the performances of a lifetime. After the Russian occupation this film went into the vaults, of course. Kachyňa made a humiliating apology and survived, but Jan Procházka, with his script, set up his professional suicide. ()

lamps 

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English One of the 1001 movies you must see before you die – I don't want to say deservedly, but certainly not by chance. If you can imagine, or at best recall from your own experience, the fear that many people felt at that time, the testimonial value of the already disturbing and brilliantly acted The Ear is indescribable. But even today's generation doesn’t need vivid memories or excessive intelligence to grasp the tremendous power, thought and bravery of Kachyna's psychologically challenging probe, which was strictly forbidden under the comrades. A film that is unforgettable, even though it is not my cup of tea. 80% ()

kaylin 

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English A person still has something to learn. This is definitely one of the best Czech films ever made. The story unfolds beautifully, at first it's only about two quarrelsome people who have to live together, but in the end it's about the time they live in. It's completely understandable that the film was banned. And I am immensely glad that it was preserved. A great example of biting criticism, but also excellent direction and great acting performances. ()

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