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In Karel Kachyňa's remarkable The Ear, a Communist Party functionary and wife find their house under surveillance and riddled with listening devices put there by his own ministry, and a harrowing night of dread and paranoia ensues. One of the most courageous and innovative films of its time, fearlessly referring to many taboo subjects of the Stalinist era, The Ear was banned by the Czech authorities, and remained unseen for twenty years. This landmark film is an extraordinary mix of one of the most direct indictments of life under an oppressive totalitarian system and a not-so-private examination of a disintegrating marital relationship. (Arrow Films)

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DaViD´82 

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English This story never happened. The things that really happened were much worse (as Jan Procházka noted in his screenplay). “The most banned of the banned" or another busy night for the Minister’s private secretary. A thick atmosphere hand in hand with incredible tension-rise. A psycho(logical) portrait of life in Czechoslovakia in the nineteen fifties (i.e. during the Stalinist period). Kachyňa’s best ever picture. Those are the main ingredients of the best Czechoslovak movie about the impacts of Communism on regular people. ()

kaylin 

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English There's still plenty for a person left to learn. This is definitely one of the best Czech films ever made. The story unfolds beautifully here, starting with just two estranged individuals who are supposed to live together but ultimately, it becomes about the era they're living in. That the film was banned is perfectly understandable. And I am extremely glad that it has been preserved. A great example of biting criticism, but also excellent direction and stellar performances. ()

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Othello 

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English A despotic anonymous regime carried out in constant meaningless celebrations, speeches, and gestures. Its representatives, degenerated by alcohol and permanent fear. The insecurity of everyone in their current position. The personalized camera capturing the events of a party infiltrated by undercover cops, where nobody knows how to talk to whom and what is really going on, is my favorite conception of communism as totally insane chaos and generator of mental illness under the surface. ()

Isherwood 

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English Kachyňa's formal austerity (changing only two locations, Illík's static camera) is a glove thrown down to the central acting tandem, who lifted it more than worthily. You don’t see this sort of riveting acting concert, based on Jan Procházka's brilliantly written book, very often. The paranoia of the times, the fickleness of the political parties of the communist regime, and last but not least the cracks of a ten-year marriage served up in one endless night. Thirty years ago, the film was an unsavory reflection of the times for the comrades, today it is an index finger raised in warning that deserves more than just a screening in club cinemas! ()

gudaulin 

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English An extraordinary film by Karel Kachyňa, which the director then had to smooth over with the authorities for a long time, while the film went straight into the vault. A top-notch screenplay that perfectly captured the essence of the era and the regime, and a superbly crafted atmosphere, culminating in the final scene. Excellent casting led by Jiřina Bohdalová and Radoslav Brzobohatý. It is simply a unique, although somewhat oppressive experience. This is not a film for pleasant entertainment, but rather a haunting nightmare of recent Czech history. Overall impression: 100%. ()

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