The Post

The Post is the essence of Spielberg at his best, a deeply professionally made story with excellent actors, incredibly flesh-and-blood cinematography, and an overall slickness and elegance that is beautiful to look at and easily addictive. It's not a masterpiece in Spielberg's filmography, but the standards of a good movie are met quite easily. The chosen theme is also quite ambitious and politically shaky in the truest sense of the word (even in today's context), while offering some interesting civil/moral dilemmas. The overall impression is thus slightly above expectations. (22/01/2019)

A perfect film with a flawless Tom Hanks in the role of a journalistic shark - terminator, a 100% convincing Meryl Streep as a hesitant, kind of shy, and at the same time confident publisher, similarly excellent cast of all side roles and precise Spielberg directing. John Williams's music isn't in the film much, but when it is, it does a 100% great job, and Kamiński's camera has just as compelling of a period atmosphere as in Bridge of Spies or Lincoln. As for the plot, I literally fell in love with the investigative war meetings of journalists at Bradlee's house, where huge issues are dealt with, toasts are handed out lemonade is sold. For those interested in a sequel, to which the ending of the film unequivocally invites, watch All the President's Men - I’m sure that Steven Spielberg imagines it just like that. (22/02/2018)

A purely American theme. A prelude to the Watergate affair, the behind-the-scenes of important print stories in The Washington Post and The New York Times, and of course the story of Kate Graham. The roles could have been played by none other than Meryl Streep and Tom Hanks. If you enjoy shots of printing presses, add a star. (25/04/2021)

The press is supposed to serve the people, not the government... A prequel to Watergate and Wikileaks. Today's information overload, useless information and fabricated information that serves to confuse the public and prevents what matters from reaching the people. Spielberg shows the first victory, which started the spiral leading to today's confusion of the public by governments around the world. And he shows it playfully, clearly and with an emphasis on quality. Because quality and profitability go hand in hand. Or at least that's how it should be. (27/10/2023)

A film that is mainly a celebration of journalism and freedom of speech, which I personally like, but on the other hand I feel that Spielberg is too pathetic and plays it too safe, which is also presented in the final scenes that are classically underwhelming and want to show the power of the moment at any cost. These are elements I don't like. Acting-wise, the film doesn't disappoint. (14/02/2018)