First Man

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Director Damien Chazelle and star Ryan Gosling reteam for the riveting story behind the first manned mission to the moon, focusing on Neil Armstrong and the decade leading to the historic Apollo 11 flight. A visceral, intimate account told from Armstrong’s perspective and based on the book by James R. Hansen, the film explores the triumphs and the cost on Armstrong, his family, his colleagues, and the nation itself for one of the most dangerous missions in history. (Universal Pictures UK)

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EvilPhoEniX 

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English I was a bit skeptical, but this is a film that should be seen and as a result I am pleasantly surprised. This is my first film experience with Damien Chazelle, his work hasn't interested me much so far, but he's getting my attention with this film. First Man is an engaging biopic of Neil Armstrong and it was very nice to see how everything works behind the scenes in this one. Ryan Gosling is excellent as always and the trip to the moon is nicely paced and suspenseful. I wasn't downright bored despite the slower pace, but if I had to choose from recent great sci-fi to watch again, I'd probably prefer The Martian and Interstellar. Decent. 75%. ()

JFL 

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English First Man is an enthralling evocation of the time when spaceflight was not a matter of course and undertaken at the whim of millionaires, but rather an uncertain enterprise that required sacrifice and tremendous determination. At the same time, it is a perfect example of how to build an absorbing and thrilling narrative from a story whose end everyone already knows. ()

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Lima 

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English It's probably going to get snubbed at the Oscars, given the audience ignorance and the politics the Academy has set in recent years, but for me, this is the Movie Of The Year. A technically extremely precise piece of work and at the same time an emotional ride that gives you goosebumps in the last act. In fact, I can't remember the last time a film with a scientific basis has grounded me like this. Perhaps Zemeckis's Contact, twenty long years ago. Gosling as a man who has to suppress his emotions and think coldly and rationally, otherwise he couldn't do his job, is totally accurate as an actor. At the other pole, Claire Foy is a geyser of emotion, and Hurwitz's music is energetic and intimate at the same time. This is going to be the pride of my blu-ray collection. PS: Unfortunately, there are mental gimps among us, such as the "greatest horror expert" Psychor, who vulgarly disparage human agency bought with sweat and blood. I don't know, couldn't these individuals just die so they don't poison our air? ()

D.Moore 

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English I haven't seen Whiplash, I didn't enjoy the cheesy La La Land, but I'm unreservedly excited about First Man. Captivating aerial scenes of all kinds (you feel like you are sitting there with him/them) interspersed with no less dramatic scenes from that “ordinary family life," Ryan Gosling once again acts well and I believed his character. At the same time, the script is not a classic biographical affair which, when watching it, the viewer just in spirit ticks off items and gets to the limit of kitsch only in the end (the bracelet), but it balances it, doesn't fall, and doesn’t hurt itself. I also enjoy being able to praise the music once again. Justin Hurwitz is playing the theremin, accompanying the scene with Gemini with a waltz and peaking as dramatically as if Hans Zimmer had collaborated with Philip Glass. I'm very much looking forward to the soundtrack. ()

Marigold 

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English A monthly Elegy. A film that is much more about fatherhood than space exploration. After all, it is just a place where our thin and frail shells throw away their sadness and anxiety. Nothing took me apart this year like First Man. A virtuoso mosaic of sharp, detailed, claustrophobic fragments in super 16 and IMAX width, which perfectly flushed out my sensory receptors. Gosling can channel melancholy with his eyes, and Claire Foy's performance is stronger than gravity. This is what Interstellar was supposed to be. For me, this the greatest film experience of 2018 and the perfect reparation for La La Land. ()

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