Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

A brilliant idea, masterfully brought to perfection, despite the bizarreness on the way. Now I finally understand the thousands of references found in American pop culture. Slim Pickens’ rodeo ride, the War Room. Truly an essential piece of cinematography. Peter Sellers excels, Sterling Hayden, ranting on with that cigar in his mouth, is the epitome of the military and George C. Scott steals almost all the scenes only and only for himself. Great. (04/01/2013)

My fifth Kubrick. While I obviously don't remember the era and couldn't absorb the tense political atmosphere of the time from credible liberal sources, I did suffer through some of that education. And so you can’t help but notice with this work Kubrick is reflecting on the Cuban Missile Crisis, which was indeed the closest we came in the entire Cold War era to the outbreak of another global conflict. To make the whole film in a satirical and parodying spirit is probably the best thing Kubrick could have done, because it was the satirical approach that perfectly allowed him to point out the senselessness and lameness of the whole long conflict between East and West. The only thing that perhaps disappointed me a little was that the entire time the viewer only witnesses political events in the West. Some insight into the Kremlin and an "Eastern perspective" on the whole affair might have added to the overall experience. The question is how the East would have taken it at the time if someone parodied their high command. ;) (02/12/2011)

An excellent Kubrick satire that impresses especially with excellent performances and an imaginative script. Peter Sellers really shines in his roles, but I was most amused by George C. Scott as the paranoid anti-communist general. Things must have been pretty intense during the Cold War, but Kubrick makes fun of everything in a perfect way. You won't be rolling on the floor laughing, but its different perspective on the threat of war will make you think perhaps more effectively than any serious film. (02/07/2012)

A chilling satire. An unforgettable triple role. It’s topical even today. And it’s primarily very funny and the satire precise. It doesn’t matter if you like the end result or not; one thing is certain. It’s gripping, if nothing else... And there can never be too many movies like this. A crying shame that Kubrick didn’t make more comedies; he certainly had a talent for them. (06/12/2004)

A really friendly conversation with Dimitrij, a shining Peter Sellers, and bitingly typical Kubrick. Dr. Strangelove has exactly the type of humor that, when it hits, leaves both wrinkles from laughter and a sense of a perfectly clever film. Especially since it's not for everyone. But for me, even after fifty years since its creation, it remains an ageless bull's eye. (30/04/2006)