Eyes Wide Shut

Finally! I've finally gotten to see this film by my beloved director Stanley Kubrick. I've been avoiding it, perhaps because of the subject matter. But I'm glad I finally watched it. It's not Kubrick's best film, but I just love the visuals and acting. And I'm not talking about naked women. This is about getting into someone's head, and it's not a pretty journey, even though it's bloodless. That makes it all the more depressing. (27/11/2015)

I once saw a bit of A Clockwork Orange in a summer camp movie theater, but otherwise I had been virtually uninitiated in Kubrick up until that point, save for a few documentaries and trailers. It was the master's last (and ironically my first) film that I saw in its entirety :)) and it must be said that it is a well thought out and functioning film combining elements of a psychological thriller and drama with an erotic touch and featuring a strong above-average performance by Tom Cruise (although I don't like Tommy otherwise, here he proves again that he is capable of acting really well under capable direction – just like in the case of Magnolia) and incredibly seductive Nicole Kidman. The slightly lighter soundtrack from the opening half hour is then replaced by a four-note (or five-note, I'm not sure now :))) piano motif, which at times gives you chills and gets under your skin quite unpleasantly.)) Otherwise, I can't remember a film in a long time that has so many memorable scenes (Alice's haunting monologue, the billiards scene, the opening dance with the "Hungarian", where the sexual tension between the two actors is masterfully captured). Before I got my first and Kubrick's last film home :)), I read somewhere that Kubrick's films resemble chess games – at the beginning they play with you, then they attack you quite sharply and thoughtfully, and at the end they might show you their method, and while you still feel only total defeat, you are totally fascinated (as in my case :)). So I have to say in conclusion that there is something to the chess comparison :)) 100% (03/02/2010)

The master's wonderful farewell to the world of film and to the world as such... What does he leave behind as a testament? An exciting, erosive and mysteriously poignant essay, a parable of the inconspicuous crisis of a relationship between two people who are pushed apart for a moment by one dream, one feeling. Tom Cruise and Nicole Kidman's fascinating duet is primarily a sign of the visual superiority of the former, but better convincingness of the latter. Dr. William Hartford, an inherently happy, contented and confident man, learns one fine evening from his wife about an unrealized love adventure, and this story, rather an unfulfilled dream, gives him the impetus to go on a surreal and unreal journey for temptation, to soothe his painful male ego. During this journey, he slowly ceases to be himself and becomes a man who wears a mask... and, surrounded by pleasure, perversion, and pervasive temptation, he eventually becomes involved in a strange game that is full of dangers and unknowns. And even his mask can't protect him from the inevitable. Kubrick is as disturbing and suggestive as ever, the atmosphere of pre-Christmas New York adds a great inner strength to his film with geysers of gaudy colors, beautiful female nakedness and a story of tremendous inner strength. Every shot is a delight. Sensual, riveting. The acting... fantastic. The music – minimalist, fitting. A masterful parable with one single point...fucking. Fact. Dream. Agitated perception. Deep dreaming. Eyes wide shut. (25/10/2004)

This desire truly burns the viewer and most importantly, it matures within them. It may have been a long time since I saw the film, but the suggestive feeling of presence at the ritual or paranoid thoughts of Bill still remain. Cruise and Nicole are brilliant, and Kubrick's construction of atmosphere with the help of minimalist musical accompaniment is also exceptional. (14/09/2006)

Kubrick embarked on several space odysseys because of existential questions, only to finally realise on the last one that the only thing that makes sense in life is a proper fuck. The question is whether he’s right. His brilliance and advanced age, and the not insignificant weight of the message – his last – confirm that he is. Eyes Wide Shut is three hours of psychological and stylistic ecstasy. (17/04/2003)