I, Tonya

Far more interesting than the figure skating itself here is the portrayal of Tonya's struggle with public opinion and her pathetic effort to improve her visual self-presentation on the ice. Whereas her toxic yet rather ambiguous relationship with both her mother and her own husband is a chapter unto itself. It can't go without notice that Margot Robbie has notably porked up and "gotten ugly" for this role so her performance as an American hillbilly can be properly authentic. When you think of Margot Robbie in any other film, the contrast between her usual beauty and the unattractiveness she has here is almost adorable. Craig Gillespie has an exquisite flair for engagingly portraying key scenes, which is already evident in the opening on the ice, when a fuming mother in the middle of the rink pushes her four-year-old daughter "to teach her a lesson". The fact that the individual characters are portrayed rather contradictorily, and that you’re rooting for the film itself rather than the protagonist, moves the whole narrative into uncharted waters as far as autobiographical adaptations are concerned. [85%] (18/04/2022)

Every year you think there cannot be another Olympic story you don’t know yet and still the creators always dig up something new. However, the figure skater Tonya Harding did not have a life story that one should brag about. On the other hand, it is so unbelievable that it would be a shame if we didn’t learn more about it. The film was lucky as it got creators who filmed it truly authentically. For example, you will not recognize Margot Robbie at all. She turned from a pretty actress into an American small-town bitch who loves figure skating and everything else bothers her. The fact that her husband beats her here and there won’t stop her from being famous one day, right? However, the human stupidity can stop her, and I have to say that I wouldn’t be able to invent a more interesting story of an Olympic athlete. The second half of the movie was truly unbelievable. I was just bating my breath while watching how far a person can go. (20/01/2018)

It's hard to see such a wonderfully brisk, energetic and above all entertaining biopic, and the almost Coen-like humor suits this real, yet barely believable story immensely. The same can be said of the soundtrack, which almost perfectly underlines the dynamics of the narrative. The American figure skater Tonya Harding grew up a poor redneck with a psychopathic mother and a father who ran away from them. Her childhood was simply unhappy. Probably for these reasons she didn't look very feminine on the ice, but she was an excellent jumper of her time. I have to admit that Margot Robbie in the title role and Allison Janney as the tough mother really got under my skin, playing their roles so convincingly. (95%) (22/03/2023)

As excellent as the performances are, the true star of the film is Gillespie, the director, who managed put together a boisterous story with motivations that cannot be fully understood and where you don’t really have anyone to root for due to the moral ugliness of all the characters, and he did it in such an energetic and coherent way, comparable to Martin Scorsese at his best. I can’t remember any other film where I enjoyed so much the retrospective structure supplemented by the narration of the participants, all complemented with “Soderbergh-like” breaks in the shape of the remarkable soundtrack, on which the staging of many scenes depends, or the sudden time jumps for the sake of more striking twists. Under this barrage of great ideas and interesting (though awful) characters, it almost doesn’t matter than the runtime could have been shorter and the secondary plots better resolved. A welcome breath of fresh air to the stereotypic Academy shelves, it’s a pity that Margot didn’t get there, too. (27/02/2019)

On a purely emotional level, Margot Robbie should have won an Oscar for this wild parade of domestic violence, 90s fashion, crazy bangs, a boorish family background and figure skating, because there's hardly a character in the last year that has had such a broad appeal and reflected society so well, as well as the values of will, hard work, life's victories, losses and realising your dream, no matter how self-typical. She downright steals some scenes, such as the one at the courthouse at the end, overshadowing not only the other actors but also the otherwise excellent technical ensemble. I,Tonya is also on the same level as Titanic or the Lord of the Rings trilogy in one respect, the visual effects serve as a means of supporting the story, not as mere eye-candy. At the same time, they are hardly visible at all and the ice-skating scenes are filmed fantastically, yet unspectacularly, so not everyone notices. It's not a great film, but for the first time in a long time a story of the rise and fall of a person in an antipathetic way with very peculiar, harsh humour. (13/05/2018)