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In a utopian near-future when technology controls everything, a technophobe avenges his wife’s murder and his own paralysis-causing injury with the help of an experimental computer chip implant – STEM – that turns out to have a mind of its own. (MUBI)

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Reviews (13)

lamps 

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English It’s fun when a futuristic idyll turns into Death Wish under the baton of a smart-ass computer like out of Space Odyssey. It’s even more fun when Whannell doesn’t give a crap about the characters and serves one interesting idea after another so thoughtful viewers would not get bored and would not mind that they can see far into the premise. A narration without major peaks, but also without hesitation and with an ending that arrives at the right moment and doesn’t disappoint. For a little love, a lot of attractive fun. ()

EvilPhoEniX 

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English Uncompromising action mayhem orgasm! Leigh Whannell, writer of Insidious and Saw, tries directing for the second time and it turns out great. Logan Marshall-Green, who has a Tom Hardy vibe, excels in the lead role and you root for him throughout the film. For the first time in a long while, a truly original film unlike anything I had seen before, and the action scenes are awesome, with no blood or violence spared. Combining my favourite sub-genre of revenge in a high-tech jacket was a great choice and suits the film perfectly. I find the fights (the final one is a treat) and the denouement satisfying as well. Although it is hardly a horror film at all, it is a solid action-sci-fi-revenge thriller. 85%. ()

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Marigold 

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English What’s the best method for revenge? Connect the internal automaton and bypass the conscience. A masterful work both visually and acoustically, which in the first half sometimes feels like a mechanical prank, but in the end removes all doubts. Bloody and realistic cyberpunk cleverly working with a minimalist design and distorted filming and a soundtrack that awakens memories of Deus Ex in me ... I'm installing it! Ex Machina without unnecessary feeling of being too smart, a good mixture of B-movie momentum and A-movie solutions. ()

J*A*S*M 

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English This is one of those films where the plausible psychological evolution of the main character, following a brutal attack and the loss of his beloved wife, is completely brushed aside and subordinated to him being able to joke and be tough, immediately after getting “superpowers”. To be clear, in this particular case it didn’t bother me at all, but it’s worth noting in case someone went to this film expecting some serious technological sci-fi. Upgrade is nothing but a light-weight B-movie. A quality and proud B-movie with a lot of nice ideas, plenty of original tricks and a confident technical aspect. I would compare it a little to the new Dredd, but as an experience, Upgrade is a notch higher. What’s fun is that many of the things that seem silly while watching make a lot more sense when you understand the points. On the other hand, I’m not quite sure whether everything that makes sense while watching, still make sense in hindsight. In any case, I’m happy that, after five years, Whannell has written something interesting again, and happier still that he found a director. ()

MrHlad 

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English Grey's wife was just killed by a group of thugs and he ended up in a wheelchair. But his days aren't over, thanks to an experimental chip and artificial intelligence, he's started walking again and can get his revenge, and the computer in his body is willing to help him do it. Upgrade is an action-packed B-movie that's surprisingly smarter than it looks at first glance. Plus, it has some great uncompromising and brutal action, so it's fun to watch. It's just a shame there wasn't someone more capable and charismatic in the lead role. But it's still very much above average in its genre. ()

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