Arctic

Or when the label "minimalist, non-literal, cold, detached procedural" for a survival genre film is taken literally. Like really literally. And that’s a good thing. Speechless, blinkered, detached, pragmatic and bereft of hope and the will to live, Mikkelsen pulls it off reliably together with the impressively chilling atmosphere of endless snowdrifts, despite the somewhat stilted pacing and setbacks during all that tedious step-breathe-step trudging. (16/05/2021)

A melancholic journey undertaken by two castaways across a snowbound continent. Everything relies entirely on Mikelsen, who drags the movie along as doggedly as he does the sledge. This movie about a man pitted against nature, which cheats whenever it can, is bleak, but it has surprises in store. Unfortunately the directing has no surprises, which is a bit of a shame. Penna takes no chances and leaves everything to one excellent Danish actor and Icelandic exteriors. It’ll be alright. (06/04/2019)

A conventional slow survival story where Mads Mikkelsen finds himself alive past the Arctic Circle after a plane crash and does all he can to come back to civilisation. It’s almost dialogue-free and everything relies on Mikkelsen’s acting and facial expressions – which is quite impressive. As for the plot, it doesn’t innovate much compared to other films of that kind. With time, I can therefore imagine how Arctic will be remembered as the one where Mads is dragging a sleigh. After the screening, I felt as exhausted as the main hero. [Sitges 2018] (07/10/2018)

One hundred percent immersive spectacle. I believed everything Mads Mikkelsen did, and that was the basis of its success. I liked that we don't know anything more about his character than that he's a smart guy, we're thrown into the plot at the beginning and gradually get to know what the creators want us to know. For example, that a man can remain a man even in the worst conditions. Or should. (15/09/2019)

After a slow start, Arctic takes on a more dramatic character due to the hopelessness of the situation depicted, without resorting to thriller clichés, while retaining the parameters of a minimalist, believable survival drama worthy of the participation of my current favorite European actor. But don’t expect anything revolutionary, such as Boyle’s 127 Hours. [Cannes] (12/05/2018)