Moulin Rouge!

A film based on quality music and actors and a love story. Full of color, lights, costumes, and enough dancing to leave you cross-eyed. The presentation is truly artistic and the story moving. Although I don't like pure romance, I have to admit that I shed a tear here. Moulin Rouge! is one of a kind. (26/04/2011)

Sometimes I tell myself that it's hardly possible for there to exist such a precisely balanced border between deafening noise and indescribable beauty. A highly romantic affair, in which a tremendous amount of tension lies hidden, led by my favorite film scene of all time: The hiding of the main couple, ingeniously built up to the perfect Because she doesn't love you! moment. The pinnacle of cinematography and the most emotionally captivating affair. Thank you, Mr. Luhrmann, for the best film I have ever seen. (23/12/2004)

Baz Luhrmann has an amazing ability to turn Moulin Rouge into an unusually intense, emotional, "original", (non-)kitsch spectacle that is just very hard not to succumb to. And I loved the grace with which Moulin Rouge teeters on the edge between total kitsch and riveting emotional spectacle. The choreography, the sets, the costumes, the music, the boldness and inventiveness of the direction, the hauntingly beautiful Nicole Kidman... plainly and simply the prototype of a film that can provide an intense emotional experience from beginning to end. A year earlier, Lars von Trier also made a wannabe musical "his own way", which I coincidentally also gave full marks. The difference is that I was still quite nauseous for a few days after Dancer in the Dark and to this day I have no desire for a second viewing. With this film, I know I will want to watch it again very soon and I definitely won't be nauseous in the "Trier" sense :-) (08/08/2013)

An absolutely breathtaking spectacle from an editing standpoint, culminating in the incredible "Roxanne" sequence, which is an audiovisual work of art in its own right. For a generally commercial musical with an average shot length of around a second, Luhrmann has my sincere respect, but I guess that's where it ends. Most of the time, the whole concept was a walk through hell – creepy characters, horrible developments, incredibly stupid humor (three penis jokes, hohoho) or horrible plots and subplots built on mistaken identity and allegories. The film exploits each of these endlessly, and even this is not enough, so that after one of the plots is over, the film turns around and repeats it again (Satine and Christian breaking up)! Then, if during the musical numbers you also feel as if you've fallen asleep under a broken jukebox after a bottle of absinthe, with the top 20 most played songs playing over and over again, I welcome you to the therapy of "Moulin Rouge tried to beat me to death." During our first class, your therapy assignment will be to throw the camera through the spinning blades of the mill. We have 30 attempts at this, so you don't have to feel bad about it. The movie sure didn't feel bad about it. (01/11/2018)

I've kept Moulin Rouge in my cupboard of unwatched films for a relatively long time and I'm glad I had the opportunity to see this musical classic on the big screen for the first time, where its qualities stood out all the more. From the very first minutes, we are thrown into a slightly maddening carousel of events interwoven with colourful costumes and sets, amazing singing and dancing sequences, and especially strong and convincing performances of a tragicomic nature. Of the ensemble cast, I was most impressed by Jim Broadbent and Nicole Kidman, who gave unforgettable and supremely plastic creations. I must also praise the plethora of interludes referring to various legendary songs, which surprisingly fit perfectly into the scenes, and the visuals and cinematography referring to different periods or genres of cinema. A film that is a feast for the senses and forms an unmissable gem within its genre. (13/11/2018)