Moulin Rouge!

You can expect many things from this film, but you’ll get something different. First of all, it’s worth mentioning the beautiful songs and the amazing performances; I don’t think I’ve ever seen so many likeable actors together. The opening part, playing on a very bold and fun note, blew me away, with its unique costumes, sets, choreographies, and then Nirvana's “Smeels Like Teen Spirit” kicks in – just a blast. The rest of the film is also conducted in the most original spirit and is a feast for the eyes and ears, but I didn't like the more romantic, sometimes a bit depressing part so much. It was still an enjoyable show, but the crazy beginning made a stronger impression. 80% (28/02/2012)

An absolutely breathtaking spectacle from an editing standpoint, culminating in the incredible "Roxanne" sequence, which is an audiovisual work of art in its own right. For a generally commercial musical with an average shot length of around a second, Luhrmann has my sincere respect, but I guess that's where it ends. Most of the time, the whole concept was a walk through hell – creepy characters, horrible developments, incredibly stupid humor (three penis jokes, hohoho) or horrible plots and subplots built on mistaken identity and allegories. The film exploits each of these endlessly, and even this is not enough, so that after one of the plots is over, the film turns around and repeats it again (Satine and Christian breaking up)! Then, if during the musical numbers you also feel as if you've fallen asleep under a broken jukebox after a bottle of absinthe, with the top 20 most played songs playing over and over again, I welcome you to the therapy of "Moulin Rouge tried to beat me to death." During our first class, your therapy assignment will be to throw the camera through the spinning blades of the mill. We have 30 attempts at this, so you don't have to feel bad about it. The movie sure didn't feel bad about it. (01/11/2018)

Although the makers if this tried to remain on the brink of bearable and laughably bombastic kitsch soft porn, all too often this slips into a stupid, noisy (I don’t think there is one second of silence here or no scenes where someone isn’t jumping around, screaming, whistling etc.) patchwork full of cuts, certainly worthy of an entry in the Guinness Book of Records. However, once in a while it calms down and looks good, and so for instance during the tango or the live scene with Satine and Krystian, all of these criticisms move aside, because at these times Moulin Rouge is simply flawless. A shame that there aren’t more similarly powerful moments in this movie, but on the other hand there aren’t that few of them really. (28/12/2006)

A film based on quality music and actors and a love story. Full of color, lights, costumes, and enough dancing to leave you cross-eyed. The presentation is truly artistic and the story moving. Although I don't like pure romance, I have to admit that I shed a tear here. Moulin Rouge! is one of a kind. (26/04/2011)

I've kept Moulin Rouge in my cupboard of unwatched films for a relatively long time and I'm glad I had the opportunity to see this musical classic on the big screen for the first time, where its qualities stood out all the more. From the very first minutes, we are thrown into a slightly maddening carousel of events interwoven with colourful costumes and sets, amazing singing and dancing sequences, and especially strong and convincing performances of a tragicomic nature. Of the ensemble cast, I was most impressed by Jim Broadbent and Nicole Kidman, who gave unforgettable and supremely plastic creations. I must also praise the plethora of interludes referring to various legendary songs, which surprisingly fit perfectly into the scenes, and the visuals and cinematography referring to different periods or genres of cinema. A film that is a feast for the senses and forms an unmissable gem within its genre. (13/11/2018)