The Mule

A slow, old-school ride in the style of Gran Torino, in other words, the typical Eastwood signature of the new millennium. A story about family and life experiences from the mouth of a grumpy old man, this time with some drugs and cartels mixed in here in there. Eastwood, however, pulls it off with a refinement and grace all his own. It's nothing we haven't seen in many more animalistic and dramatic variations, but few can season it with such a dose of life experience and satirical insight. It's a pity there are so many great actors and so little room for their characters. Everything stands and falls on Eastwood, and maybe that's a bit of a shame. Plus for Andy Garcia, aka the man with the golden gun. (15/04/2019)

Clint Eastwood is known for his slow-paced storytelling and I don’t think that it gets slower as he gets older. The atmosphere of The Mule is quite similar to Gran Torino’s and that was shot when he was 10 years younger. The only disadvantage of this movie is the fact that even after 30 minutes of watching you don’t get the feeling that the movie has any kind of inventive story. Despite this you will enjoy watching Clint during his rides across America. The fact that he is unbelievably naive shouldn’t be taken too seriously. There is something about this movie and the peace and confidence in his soul are almost unbelievable. And so it is hard for the audience to believe that he is almost 90 when he criss-crosses the never ending American highways in an American Jeep. Well, someone’s lucky… (03/07/2020)

At an impressive stage of his career, Clint Eastwood delivers a professional performance both behind the camera and in front of it. He continues to make films because he still enjoys doing it and because his position in the American film industry allows him to do so. What he showcases in The Mule he has already done in the past (much) better and more convincingly. His film lacks tempo and elements of sentiment creep into it. The routine execution can't be overlooked, but you can't blame the old man for portraying his social type, a guy who has forgotten the times when things were still in their place, when there were two genders and men knew how to change tires, he has been honing it for several decades now. Overall impression: 55%. (09/07/2021)

If there had also been a lot of smoking in this movie, it would definitely have been Jaroslav Kubera's favorite film. The most annoying thing about the film is that it tries to sell itself as the outsider story of an old fart in a present incomprehensible to him, doing so at a time when social demands under the banner of the winning slogan "Make America Great Again" call for exactly these types of characters and roles. Not to mention how much the semi-dead and nearly immobile Eastwood, relishing in spouting controversial minority epithets, which he qualifies as his right given his advanced age, resembles that unfortunate creature in our country sitting in Prague Castle. Who knows if it was more due to Schenk or to Eastwood, but the film's seemingly conciliatory toothlessness then permanently suggests that, while no one has anything against lesbians or blacks, a time when old grease monkeys begin losing their honest, sweat-stained jobs to the Internet is the same as a time in which it has become no longer desirable to call lesbians dykes and blacks negroes. So let's not be fooled for a second that this film doesn't do politics. You can try to retreat into comfortable escapism and get swept up in the story, but I don't recommend that either, because the film is not even able to exploit its plot holes for the sake of entertainment, but instead does exactly the opposite. The boring Pilcher-esque part with the late coming together of the family (yes, even featuring cancer) is annoying in itself. But if you have to keep thinking that none of this would have happened if a Mexican cartel had been so kind as to place a GPS tracker in the car carrying three kilos of coke for them, it's practically unbearable. It's unbearable even to mention the police work, which is actually based on information from a single informant. Fans of early Harmony Korine or Gaspar Noé will surely get what they came for in the scenes where the undead Eastwood, with the light already shining through his eyes from the other side, gets wild with the ladies. (19/06/2019)

"Thanks, Grandpa." – "You're welcome, dykes." Clint Eastwood is a sure thing. While The Mule (if you compare it to the last few films he's been in) isn't as strong as Gran Torino or Million Dollar Baby, it's thankfully much better than Trouble with the Curve. It's a fun and touching film with a laid-back atmosphere interspersed with some suspense, with one incredibly admirable guy in the main role and the director's chair. Earl Stone is one of his most sympathetic characters. (26/03/2019)