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In mid-18th century America, woodsman Hawkeye (Daniel Day-Lewis) lives amongst British colonists in New York state, but shares the cultural values of his adopted Mohican father, Chingachgook (Russell Means). At the height of the French-Indian war, Hawkeye is asked to lead two British sisters, Cora and Alice (Madeleine Stowe and Jodhi May), through dangerous territory to their father's fort. With the French-allied Hurons on their trail, one of whom has a personal vendetta against the daughters, Hawkeye and his companion Uncas still find time for romance with their charges, much to the chagrin of the accompanying Major Duncan Heyward (Steven Waddington), who has set his cap at Cora. (Warner Bros. Home Entertainment)

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Reviews (12)

kaylin 

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English The film as a whole creates a great whole, which works mainly based on elaborate shots that are beautifully connected to the action on the screen, the performances of the actors, and above all, the music. It is absolutely incredible. An amazing combination of different motifs. I knew that the soundtrack was good, I had already heard it, but when you put it into individual scenes, everything suddenly takes on a completely new meaning. Randy Edelman and Trevor Jones did an absolutely great job, and after a long time, I appreciated the beautiful musical accompaniment more in many scenes, which occasionally draws attention to itself, but I didn't feel that it was to the detriment of the film, but on the contrary. Thanks to the slow-motion shots and magnificent scenes, "The Last of the Mohicans" gains in intensity and attains a completely new level when watched. A beautiful combination of all the artistic crafts that contribute to the film. More: http://www.filmovy-denik.cz/2013/09/posledni-mohykan-1992-85.html ()

D.Moore 

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English After many years I enjoyed The Last of the Mohicans again, finally on Blu-ray and in the original version. And it is still an amazing film, what else can I say. Hawkeye, Chingachgook and Uncas are great heroes just as Magua is one of the best bad guys I've seen in a film. Mann's direction cuddles with the breathtaking scenery, he manages to build tension before the action and then draw you in perfectly, the romantic subplot doesn't get in the way at all because it simply belongs to such adventure stories. And then, of course, there's the riveting finale, which, thanks to Jones and Edelman's music, makes you feel like everything is at stake. As I’ve already said, amazing film. Probably not essential to the history of cinema, but amazing nonetheless. ()

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lamps 

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English I saw Villeneuve's Dune yesterday and the majestic shots left me cold and emotionally detached, so I put on The Last of the Mohicans after a long time and my heart suddenly rejoices – this is how you make a film that lets its amazing visuals tell the story of its heroes without forgetting the touching, almost Shakespearean tale. Thanks mainly to the iconic music and Mann's dynamic direction, it's a goosebump-inducing ride from the start. And the final half-hour is a blast that brings me to my knees every time. Magua is an incredible and thoroughbred motherfucker, you don't see many bad guys like that anymore. 90 % ()

DaViD´82 

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English Although they murder the original story, luckily The Last of the Mohicans works primarily as a romantic adventure movie in itself. And very well at that. Plus, all negative impressions are pushed out of the mind by the unforgettable final sequence. If the whole movie had been like that, I wouldn’t have lost for words. Just forget about seeing anything that resembles the book. ♫ OST score: 4/5 ()

Isherwood 

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English Mann is a directorial intellectual with a unique gift for entertaining the masses. Reason and the senses can only wonder at the image and music composition, and the ingenious skill in building subtle relationships between the characters breathes life into the film. However, The Last of the Mohicans is, with all due respect, just a perfectly dressed Indian woman who, thanks to her simple shallowness, gave me the impression of perfect sterility the entire time. Any unwinding of the threads of the audience’s empathy for fated love crumbles from the warfare and vice versa. When it was over, I had a feeling of half-satisfied libido and longed for at least an extra half hour. PS: Having a familiar central theme doesn't automatically make the whole soundtrack brilliant. ()

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