Knives Out

A loving pastiche tribute to classic ensemble detective stories displaying contempt for film genre stereotypes and a good old detective story with everything you would expect. The movie really wants to represent all of that. And it surely does. Unfortunately, not in such a way that the individual approaches would complement each other. So each scene has a different approach. In some cases, scenes are conflict with each other. As a result, the individual approaches pull the rug from under each other´s feet and there is a problem with that. The last nails in the coffin are the film's extremely long running time and the really poor acting in the second half . Nevertheless, Blanc's excessive and absurd character has potential, and no matter how unjustified the running time is, you won't be bored. (21/09/2020)

At times unobtrusively and sophisticatedly funny and cynical, at times thoroughly convoluted and superbly acted. Perhaps only Daniel Craig was irritating with his crazy accent. Apparently they exploit everything that could be exploited from a murder in an opulent mansion. I reckon most of the 40 million-dollar budget went to the cast, because the visuals were very economical, sometimes too much (the car chase). A good one off, but no deal-breaker. (06/04/2020)

I've always liked Rian Johnson and I like how inventive his films are, and I think the best word to describe Knives Out is ‘cunning’. Johnson manages to lull the audience initially by making the film look more or less like a classic whodunit, with several suspects and a killer hiding among them. But after about twenty minutes, Johnson starts playing with genres, procedures, story and overall directorial delivery. He makes several drastic style changes, manages to poke fun at the audience, the clichés and his own characters, and is one step ahead of everyone in the room the entire time, for just when you think you've got Knives Out figured out, you find that Johnson has once again outsmarted you. And you're going to love it. By the way, I haven't seen a movie in a long time where it's so terribly obvious in all the actors how much they are enjoying their work and characters. (07/01/2020)

The trailer promised an old-school whodunit, and that's what the film is. I was very entertained until about halfway through, liking how completely but utterly everyone was lying and how Daniel Craig's character (who took me a while to get used to, at the time) accepted all the lies with a knowing smile. But somewhere in the second half it all started to get a bit scratchy, I suddenly felt like I was ahead of the investigators when I shouldn't have been, a feeling that was gradually confirmed and confirmed... until it was confirmed. I don't mind too much if the ending of a mystery doesn't shock me or at least surprise me, but I don't like it when it doesn't satisfy me at all and leaves me completely cold because it gives a terribly twisted impression. In a story by Agatha Christie or A. C. Doyle, on whose legacy Knives Out is based, this would never have happened. (08/01/2020)

It's a beautiful film. An imaginative case with a good bunch of interesting characters, some of them played by great actors. Needless to say, even those who were less known or completely unknown to me fit in with them easily. The whole thing is orchestrated by Daniel Craig, who leaves Bond behind completely and kicks things off as a very charismatic detective. The kind with real insight that you trust will crack the case in the end, but you still have to watch him do it. For me, it's basically a perfect show. 5 stars. (11/04/2020)