Coco

In my opinion, Coco is probably the best-animated movie of the year 2017. It is colorful and beautifully shot. It has got some drive, the characters are likable, it is entertaining, and the narrative is really good (considering it is Pixar). They did a great job as it gets really emotional, and I almost could not hold back the tears at the very end. As for the negative aspects, the movie is very predictable in places (who exactly is Hector?), slightly unbelievable at times (could a family ban music so stringently?), and the first half of the movie is much less interesting than the second. In my final assessment, I compared it mainly to last year's Kubo and the Two Strings and 2014's The Book of Life (because of the subject matter), and I am finally clear about the rating, 8.4/10. (09/12/2017)

A Pixar movie as it should be, but Zootropolis is still unbeaten for me. Coco has solid visuals, a nice story, nice songs, decent pacing, a good dose of humor, and one very good plot twist. The emotional finale left me cold this time, but otherwise satisfied. Good fun for the whole family. No wonder Coco is a hit in Mexico. 80% (04/01/2018)

The premise and the Mexican atmosphere are definitely great, but the characters aren’t fully developed. Not to mention that you can feel how much the film wants to be touching and I don't think it ultimately succeeds. I've seen prettier fairy tales. With nicer endings, more sympathetic protagonists and, most importantly, no annoying supporting characters. I’ll give an extra point for the music and the Spanish, but otherwise I consider it a slight disappointment. 3 stars. (25/09/2018)

Only Pixar is capable of tear-jerkers like this. A visually polished world with clever rules and a Mexican atmosphere with the right kind of message. A message about family and how important it is not to forget. And about music, of course. Giacchino really lays it on us. The sophisticated guitar parts and catchy tunes would warm the heart of the dead. (11/11/2018)

A cloying story that relies solely on clichés and basic family values, led by a typical outsider whom everybody underestimates and prevents from dedicating himself to the only thing he enjoys. Fortunately, that routine development is abundantly spiced up after arrival in the Land of the Dead, and the film becomes visually and humanly richer and gets a relentless pace, and the fate of the heroes is closed in a way that will soften even the toughest grouch and will cause an unlimited flow of tears. The moral is important and also fun, so mission accomplished. 75% (08/11/2018)